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A Sufi Parable of Dubious Origin.

January 3, 2018 by Exangel

by Ronnie Pontiac.

dedicated to William Dailey

 

Manuscript K-1204 supplied by a private collector requesting appraisal. After careful study I fear no conclusive judgment can be rendered. The collector claims that this manuscript was found folded within a personal letter from Paul Bowles to Alain Daniélou. I can find no record of any contact between them.

The contents of the letter offer no personal details about its author or recipient except their names. “Alain, here it is. Paul” is the complete text. The handwriting of the letter conforms to existing examples of Bowle’s script, but the manuscript appears to be in a different hand, though the inks are similar, and may be the same. A lab test would be required to ascertain that. Even if the ink is identical it does not prove that Bowles wrote down the parable, only that the same pen was used for the letter and the manuscript.

Does it seem possible that Bowles encountering local culture in Tangiers found this manuscript in a street market? Perhaps. But why send it to Daniélou, an expert on Hindu religion? Both were refugees from western civilization and explorers of indigenous cultures. Not impossible but unverifiable without some kind of evidence.

But the collector offers another scenario. He asserts that Bowles and Daniélou as bisexuals with similar intellectual pursuits inevitably crossed paths. He insists that the facts of their long term friendship are well known among the gay cultural circles of India and Tangiers. Even more improbably the collector is confident that the parable is actually intended as a satirical caricature of William Burroughs during his sojourn in Mexico with his wife Joan.

The sacred fool, the blinding sun, the dream of life, many of the themes in this parable conform closely to classical Sufi tradition, including the disappearance of imperfections in the light of divine glory. Nothing in the vocabulary or grammar indicates a recent date of composition.

Is this a translation of a classical Sufi parable by Bowles or a friend of his, or an inside joke between raconteurs, or a literary hoax? What is the value of the parable alone? If it is by Bowles the value at auction is considerable. If the parable is a satire on Burroughs from within the gay community of literati of that era the value is greatly enhanced. However there is no way to ascertain the true origin of this strange item. Its value therefore remains in the eye of the beholder.

 

 

THE OLD FOOL AND THE CRACK IN THE WALL

 

The old fool bent over squinting at a wall. The hot sun beat down on his bare head. Perspiration dripped from his face onto the hot stone evaporating instantly.

With an annoyed expression his neighbor approached him. The old man did crazy things every day. “Get out of the sun!” the neighbor scolded. “What are you looking at anyway?”

“Did you ever wake up,” the old man rubbed his chin, “to find a crack in the wall?”

“Get out of the sun!”

Ignoring him, the old man contiued: “The ground moves, foundations shift, there it is, a crack in the wall that wasn’t there yesterday.”

The neighbor wondered if the old man had sunstroke.

“A crack in the wall is only a small surprise,” the old man mused. “Time exposes all weaknesses. But what about the day you wake up to find that crack in the wall is gone?”

“Someone fixed it, you old fool!”

The old man shook his head emphatically. “Any patch would show. Do you see one?”

The neighbor glanced at the wall. The glare of the sun exposed no patch, no repair, no crack. “I’m sure there never was a crack.”

“There was, ask anyone around here, we all worried about the wall tumbling down. Of course, the children ignored our warnings not to play near it.”

“I remember,” the neighbor nodded. His wife had told him about the danger to their young children while he half listened. He looked closely at the bright white sunlit wall.

His wife looking for her husband found him standing beside the old man staring at the wall. “Get out of the sun!” she said a bit sharply.

“That crack in the wall, it’s gone!” Her husband turned, looking bewildered.

“When a crack disappears from the wall without anyone repairing it there can be only three explanations,” the old man declared.

The neighbor’s wife was about to say something when her husband hushed her with a glance.

“What are the three explanations?” The neighbor respectfully asked the old man.

The neighbor’s wife folded her arms.

“First, this could be a dream.”

“How can this be a dream?” the neighbor scoffed, looking back at his wife.

“Dreams never seem like dreams until they end,” the old man said, “no matter how absurd the details.”

“Well,” the neighbor admitted, “I guess we can’t be sure, can we?” He turned to his wife again.

She rolled her eyes.

“Second, this could be a miraculous blessing from a supernatural source.”

“But why this crack,” the neighbor asked, “and not another?”

“Perhaps our prayers have been answered,” the old man speculated, “or maybe one of the children playing by the wall may have a miraculous destiny.”

“Which child?” the neighbor demanded, “mine?”

“Only time will tell,” the old man shrugged.

“Third?” the neighbor was eager to hear the next revelation.

“We’re dead,” the old man whispered. “We’re only remembering the life we had.”

The neighbor and the old man stared at the wall.

“Where was it exactly?” the neighbor asked.

“Right here,” the old man pointed, “it was right here yesterday.”

Squinting at the bright wall the neighbor could not see a crack. “Look for yourself,” he finally turned to his wife.

The surface in the bright sunlight looked smooth and uniform. Then she stepped in the way of the sun. In the half-light the crack stood out vividly, exactly where the old man had pointed.

“Crazy old man!” the neighbor shook his fist.

The old man only laughed, he was relieved to still be alive.

Filed Under: EAP: The Magazine, Winter 2018: What Are You Looking At?

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In This Issue.

  • Who Was Dorothy?
  • Those Evil Spirits.
  • The Screaming Baboon.
  • Her.
  • A Tale of Persistence.
  • A Conversation with Steve Hugh Westenra.
  • Person Number Twelve.
  • Dream Shapes.
  • Cannon Beach.
  • The Muse.
  • Spring.
  • The Greatness that was Greece.
  • 1966, NYC; nothing like it.
  • Sun Shower.
  • The Withering Weight of Being Perceived.
  • Broken Clock.
  • Confession.
  • Francis Coppola’s Apocalypse.
  • Sometimes you die, I mean that people do.
  • True (from “My Life with Dogs”).
  • Fragmentary musings on birds and bees.
  • 12 Baking Essentials to Always Have in Your Poetry.
  • Broad Street.
  • A Death in Alexandria.
  • My Forked Tongue.
  • Swan Lake.
  • Long Division.
  • Singing against the muses.
  • Aphorisms from “What Remains to Be Said”.

In The News.

That cult classic pirate/sci fi mash up GREENBEARD, by Richard James Bentley, is now a rollicking audiobook, available from Audible.com. Narrated and acted by Colby Elliott of Last Word Audio, you’ll be overwhelmed by the riches and hilarity within.

“Captain Sylvestre de Greybagges is your typical seventeenth-century Cambridge-educated lawyer turned Caribbean pirate, as comfortable debating the virtues of William Shakespeare, Isaac Newton, and compound interest as he is wielding a cutlass, needling archrival Henry Morgan, and parsing rum-soaked gossip for his next target. When a pepper monger’s loose tongue lets out a rumor about a fleet loaded with silver, the Captain sets sail only to find himself in a close encounter of a very different kind.

After escaping with his sanity barely intact and his beard transformed an alarming bright green, Greybagges rallies The Ark de Triomphe crew for a revenge-fueled, thrill-a-minute adventure to the ends of the earth and beyond.

This frolicsome tale of skullduggery, jiggery-pokery, and chicanery upon Ye High Seas is brimming with hilarious puns, masterful historical allusions, and nonstop literary hijinks. Including sly references to Thomas Pynchon, Treasure Island, 1940s cinema, and notable historical figures, this mélange of delights will captivate readers with its rollicking adventure, rich descriptions of food and fashion, and learned asides into scientific, philosophical, and colonial history.”

THE SUPERGIRLS is back, revised and updated!

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In The News.

Newport Public Library hosted a three part Zoom series on Visionary Fiction, led by Tod.  

And we love them for it, too.

The first discussion was a lively blast. You can watch it here. The second, Looking Back to Look Forward can be seen here.

The third was the best of all. Visions of the Future, with a cast of characters including poets, audiobook artists, historians, Starhawk, and Mary Shelley. Among others. Link is here.

In the News.

SNOTTY SAVES THE DAY is now an audiobook, narrated by Last Word Audio’s mellifluous Colby Elliott. It launched May 10th, but for a limited time, you can listen for free with an Audible trial membership. So what are you waiting for? Start listening to the wonders of how Arcadia was born from the worst section of the worst neighborhood in the worst empire of all the worlds since the universe began.

In The News.

If you love audio books, don’t miss the new release of REPORT TO MEGALOPOLIS, by Tod Davies, narrated by Colby Elliott of Last Word Audio. The tortured Aspern Grayling tries to rise above the truth of his own story, fighting with reality every step of the way, and Colby’s voice is the perfect match for our modern day Dr. Frankenstein.

In The News.

Mike Madrid dishes on Miss Fury to the BBC . . .

Tod on the Importance of Visionary Fiction

Check out this video of “Beyond Utopia: The Importance of Fantasy,” Tod’s recent talk at the tenth World-Ecology Research Network Conference, June 2019, in San Francisco. She covers everything from Wind in the Willows to the work of Kim Stanley Robinson, with a look at The History of Arcadia along the way. As usual, she’s going on about how visionary fiction has an important place in the formation of a world we want and need to have.

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