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Audrey Hepburn's Little Black Dress

March 1, 2010 by Exangel

So I was having a chat with the head librarian at Cannon Beach Library the other day, because they’ve very kindly invited me to come talk about food there (two of my favorite things, food and the Oregon coast, in one–on March 13, at 2, in case you’re interested), and he said he only had one problem with the way I cook.

“What,” he objected, “if you just want something to come out exactly the same way as the way you had it somewhere else?”

I turned that one over in my mind.  For a bit, in fact, And in that moment, I had a flash of understanding: I am a person who is constitutionally incapable of wanting one moment to turn out exactly like another moment. I like them all to be different.

“Well,” I said. “You might as well give up on that one. Because you can’t.”

“You CAN’T?”

“You can’t.” I said this flatly and firmly, because you really really can’t.

“WHY can’t you?”

“Because,” I said, “you’ll never be in the same place, with the same ingredients, with the same equipment, with the same atmosphere, with the same audience, in the same mood, more than just one time.”

He laughed.

“I’m serious. You can look at Audrey Hepburn wearing a little black dress in Paris and say, ‘I want to look just like that.’ But you’re not going to.”

He laughed again.

Look. Let’s not even get into the question of why you would want a recipe to taste exactly the same as the way someone else does it. No, wait a minute. Let’s get into that question. Why do you want to? I don’t mean you shouldn’t want the food that results to give you and the people who eat it as much happiness and satisfaction as the original recipe–that’s a given. I mean, why do you want it to taste the same?

I guess what I’m saying is: you have a chance, every time you cook, to figure out who you are and what your world is like. These are the two questions that interest me mainly, and food is just a way of getting more answers for me, not an end in itself. Which is why it is endlessly fascinating. And not just that–endlessly productive. I don’t mean endlessly productive of meals (though there certainly is that benefit!), but, rather, endlessly productive of insight. Insight that leads to a firmer understanding of one’s likes and dislikes, and, through that, to building our autonomy. Autonomy, I truly believe, is what each of us owes her/his world–because only an autonomous adult, who knows who she/he is, and knows what her/his duties and rights are can participate in making our world better for everyone.

And what else are we in it for? I mean, I ask you.

So if that’s my goal, why on earth would I want to cook something just like Martha Stewart? Although I must say, I’m slyly interested in what the way Martha Stewart cooks says about her.

Here’s what I cooked last night. And I guarantee you won’t be able to replicate it in your own home.  I guarantee I’ll never be able to replicate it in my own home…not again, anyway.  Well, just look at the list of ingredients.

Fettucine with broccoli, shallots, roast tomatoes, blue cheese, and parmesan (for 2).

1/2 package fettucine, which turns out to be lighter weight than it says on the package, so about 7 ounces rather than my usual 8.
1 head of broccoli, peeled, chopped, and steamed.
1 shallot minced and let to sit in a tablespoon of lemon juice to sweeten
3 1/2 roasted tomatoes, diced
a nubbin of blue cheese, squished between your fingers
a nubbin of parmesan, grated
a couple of minced garlic cloves
a squish of anchovy paste
the olive oil that was left in the bottle, rounded out by some walnut oil
a dab of butter

Cook the fettucine. While it’s boiling, warm the minced garlic cloves and anchovy paste in the oil. When the pasta is done to your liking, drain, put back on the stove in the still warm pot, add the hot oil and garlic/anchovy, and the shallot.  Toss. Toss with the blue cheese and parmesan. Taste for salt. Toss with the broccoli and roast tomatoes. Taste again. If you think you need it, add a dab of butter and toss again.

Serve up with a lemon wedge and salad. Or be lazy like I was, and serve by itself with tangerines  and dried fruit to follow.

If you like, wear that little black dress you saw on Audrey Hepburn. You won’t look like her. But you might look better. You’ll look different, anyway, and more like yourself, which sounds to me like more fun in the end.

(WARNING: The above does not apply to baking.  That was another question the nice librarian asked me, what am I crap at cooking? The answer will come as no surprise: anything that requires precise measurements. Baking requires precise measurements unless you want to end up with something somewhere between soup and a hockey puck when what you’re aiming for is a cake. Baking is a precision activity. Even I highly recommend you try to get the same results time after time with baking.)

Filed Under: Jam Today Tagged With: Audrey Hepburn, broccoli, Cannon Beach library, fettucine

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  • Who Was Dorothy?
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In The News.

That cult classic pirate/sci fi mash up GREENBEARD, by Richard James Bentley, is now a rollicking audiobook, available from Audible.com. Narrated and acted by Colby Elliott of Last Word Audio, you’ll be overwhelmed by the riches and hilarity within.

“Captain Sylvestre de Greybagges is your typical seventeenth-century Cambridge-educated lawyer turned Caribbean pirate, as comfortable debating the virtues of William Shakespeare, Isaac Newton, and compound interest as he is wielding a cutlass, needling archrival Henry Morgan, and parsing rum-soaked gossip for his next target. When a pepper monger’s loose tongue lets out a rumor about a fleet loaded with silver, the Captain sets sail only to find himself in a close encounter of a very different kind.

After escaping with his sanity barely intact and his beard transformed an alarming bright green, Greybagges rallies The Ark de Triomphe crew for a revenge-fueled, thrill-a-minute adventure to the ends of the earth and beyond.

This frolicsome tale of skullduggery, jiggery-pokery, and chicanery upon Ye High Seas is brimming with hilarious puns, masterful historical allusions, and nonstop literary hijinks. Including sly references to Thomas Pynchon, Treasure Island, 1940s cinema, and notable historical figures, this mélange of delights will captivate readers with its rollicking adventure, rich descriptions of food and fashion, and learned asides into scientific, philosophical, and colonial history.”

THE SUPERGIRLS is back, revised and updated!

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In The News.

Newport Public Library hosted a three part Zoom series on Visionary Fiction, led by Tod.  

And we love them for it, too.

The first discussion was a lively blast. You can watch it here. The second, Looking Back to Look Forward can be seen here.

The third was the best of all. Visions of the Future, with a cast of characters including poets, audiobook artists, historians, Starhawk, and Mary Shelley. Among others. Link is here.

In the News.

SNOTTY SAVES THE DAY is now an audiobook, narrated by Last Word Audio’s mellifluous Colby Elliott. It launched May 10th, but for a limited time, you can listen for free with an Audible trial membership. So what are you waiting for? Start listening to the wonders of how Arcadia was born from the worst section of the worst neighborhood in the worst empire of all the worlds since the universe began.

In The News.

If you love audio books, don’t miss the new release of REPORT TO MEGALOPOLIS, by Tod Davies, narrated by Colby Elliott of Last Word Audio. The tortured Aspern Grayling tries to rise above the truth of his own story, fighting with reality every step of the way, and Colby’s voice is the perfect match for our modern day Dr. Frankenstein.

In The News.

Mike Madrid dishes on Miss Fury to the BBC . . .

Tod on the Importance of Visionary Fiction

Check out this video of “Beyond Utopia: The Importance of Fantasy,” Tod’s recent talk at the tenth World-Ecology Research Network Conference, June 2019, in San Francisco. She covers everything from Wind in the Willows to the work of Kim Stanley Robinson, with a look at The History of Arcadia along the way. As usual, she’s going on about how visionary fiction has an important place in the formation of a world we want and need to have.

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