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Every Hour.

March 31, 2024 by Exangel

by Lana Hechtman Ayers.

Dawn began with the sight
of red lights
flashing on numerous trucks
crowded by the beach entrance,
some emergency that brought out
fireman and state police,
sheriff and ambulance.

And now, as daylight moves
toward dusk
a doe, ears pitched upright,
perhaps by the clacking
of my old keyboard,
pauses its chewing
of the native salal,
stares into my open window
with eyes that seem to see
right through me
and my fallow pursuit of words.

How swiftly the world shifts
from safety to siren,
every hour some new threat
opens like bud, ripens like berry,
and all the while crows frolic
in the broken-glass-strewn grass,
sparrows flitter across
live electrical wires,
and remain largely unharmed.

We humans come into this life
entirely reliant
on others for survival,
but shortly thereafter
come to understand
death is the inevitable
through-line
for everyone,
and only luck and bluster
get us most of the way there intact.

It is a fact that our home planet
spins on an axis,
though we seem fixed & upright
as the sky wheels its day star
and night moon through the pane
of ever-changing horizon.
What lies ahead
is more of the same,
and nothing we imagine.

This morning’s emergency,
our next-door neighbor tells me,
when I am out in the evening
walking with my two dogs,
was a surfer taken under the waves
by riptide, drowning,
fighting for his life,
as one after another
family member rushed in to help,
succumbing to the omnipotent
seawater themselves.
“But one stranger dove in and rose
again, so everyone left breathing,” he said.
“Good news in the end.”

And that seems a fitting summary
for what we all want—
breathing in every hour
until the good news
of our demise arrives,
and hopefully, it is good news—
because we lived with joy
despite all the pain
that came calling
once and again,
but also vanished for stretches,
and we watched with awe
the inquisitive deer
watching us,
munching idly on leaves,
and we dipped a toe
or two or a few
into the almighty ocean,
and we told ourselves
over and over
the very stories
we wanted to hear.

 

Filed Under: EAP: The Magazine, Spring 2024: Half Magic. Tagged With: Lana Hechtman Ayers, poem

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In This Issue.

  • Who Was Dorothy?
  • Those Evil Spirits.
  • The Screaming Baboon.
  • Her.
  • A Tale of Persistence.
  • A Conversation with Steve Hugh Westenra.
  • Person Number Twelve.
  • Dream Shapes.
  • Cannon Beach.
  • The Muse.
  • Spring.
  • The Greatness that was Greece.
  • 1966, NYC; nothing like it.
  • Sun Shower.
  • The Withering Weight of Being Perceived.
  • Broken Clock.
  • Confession.
  • Francis Coppola’s Apocalypse.
  • Sometimes you die, I mean that people do.
  • True (from “My Life with Dogs”).
  • Fragmentary musings on birds and bees.
  • 12 Baking Essentials to Always Have in Your Poetry.
  • Broad Street.
  • A Death in Alexandria.
  • My Forked Tongue.
  • Swan Lake.
  • Long Division.
  • Singing against the muses.
  • Aphorisms from “What Remains to Be Said”.

In The News.

That cult classic pirate/sci fi mash up GREENBEARD, by Richard James Bentley, is now a rollicking audiobook, available from Audible.com. Narrated and acted by Colby Elliott of Last Word Audio, you’ll be overwhelmed by the riches and hilarity within.

“Captain Sylvestre de Greybagges is your typical seventeenth-century Cambridge-educated lawyer turned Caribbean pirate, as comfortable debating the virtues of William Shakespeare, Isaac Newton, and compound interest as he is wielding a cutlass, needling archrival Henry Morgan, and parsing rum-soaked gossip for his next target. When a pepper monger’s loose tongue lets out a rumor about a fleet loaded with silver, the Captain sets sail only to find himself in a close encounter of a very different kind.

After escaping with his sanity barely intact and his beard transformed an alarming bright green, Greybagges rallies The Ark de Triomphe crew for a revenge-fueled, thrill-a-minute adventure to the ends of the earth and beyond.

This frolicsome tale of skullduggery, jiggery-pokery, and chicanery upon Ye High Seas is brimming with hilarious puns, masterful historical allusions, and nonstop literary hijinks. Including sly references to Thomas Pynchon, Treasure Island, 1940s cinema, and notable historical figures, this mélange of delights will captivate readers with its rollicking adventure, rich descriptions of food and fashion, and learned asides into scientific, philosophical, and colonial history.”

THE SUPERGIRLS is back, revised and updated!

supergirls-take-1

In The News.

Newport Public Library hosted a three part Zoom series on Visionary Fiction, led by Tod.  

And we love them for it, too.

The first discussion was a lively blast. You can watch it here. The second, Looking Back to Look Forward can be seen here.

The third was the best of all. Visions of the Future, with a cast of characters including poets, audiobook artists, historians, Starhawk, and Mary Shelley. Among others. Link is here.

In the News.

SNOTTY SAVES THE DAY is now an audiobook, narrated by Last Word Audio’s mellifluous Colby Elliott. It launched May 10th, but for a limited time, you can listen for free with an Audible trial membership. So what are you waiting for? Start listening to the wonders of how Arcadia was born from the worst section of the worst neighborhood in the worst empire of all the worlds since the universe began.

In The News.

If you love audio books, don’t miss the new release of REPORT TO MEGALOPOLIS, by Tod Davies, narrated by Colby Elliott of Last Word Audio. The tortured Aspern Grayling tries to rise above the truth of his own story, fighting with reality every step of the way, and Colby’s voice is the perfect match for our modern day Dr. Frankenstein.

In The News.

Mike Madrid dishes on Miss Fury to the BBC . . .

Tod on the Importance of Visionary Fiction

Check out this video of “Beyond Utopia: The Importance of Fantasy,” Tod’s recent talk at the tenth World-Ecology Research Network Conference, June 2019, in San Francisco. She covers everything from Wind in the Willows to the work of Kim Stanley Robinson, with a look at The History of Arcadia along the way. As usual, she’s going on about how visionary fiction has an important place in the formation of a world we want and need to have.

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