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Grief: What’s The Best I Can Do?

March 31, 2016 by Exangel

by Ellen Morris Prewitt.

My Daddy Joe was killed by a train when I was three years old. My older sister was four, and my mother was newly pregnant with my little sister. After the baby was born, my mother had what we would now call postpartum depression, complicated, of course, by the death. She thought to herself, Well, I’ve had this baby. The two older girls can take care of themselves. I’m not needed here anymore.

That’s traumatic grief manifesting into physical thought.

It’s impossible to put my finger on who among us Daddy Joe’s death affected the most. Me, who was at the age when a daughter carries the strongest attachment to her father. My older sister, who had fourteen months greater understanding of the event than I. My younger sister, who lived for ten years without even the briefest experience of a father, until my amazing stepdad arrived. Or maybe it was my grandmother, who buried her child then sealed off her grief so completely she mentioned her son no more than a handful of times until the day she died. Or my mom, who sometimes emails me on December 19 in remembrance of an event that happened over fifty years ago. Each of us, in our own way, felt the pressing hand of loss shaping, molding, forming us.

My life experiences—watching my stepdad pass over to the other side; communing with those who have left this world before me; reading about others’ death experiences—have convinced me the dead are fine. We can pray for the dead, but we needn’t worry about them. They are fine. We are the ones riveted by loss.

Left behind, we grapple with a pain that physically wounds us. Holes riddle our hearts, digging deep wells in our souls that neither time can heal nor grieving remove. No matter the good things that rush in—my stepdad whom I loved so much—those places of emptiness stay with us. I question why life is set up this way. What is the point of bonds that tie so closely but can be severed so quickly? Why is life devised to cause us so much pain from loss? So many, many of us walk around with wisps of loss at the edge of our consciousness constantly asking, where is daddy? What happened to mommy? Why did God take my child from me? The loss ripples out until it seems the whole world shudders.

Nor must the loss be traumatic. We grieve, inconsolable, for our aged parents who have lived long, good, full lives. We miss them terribly. We pause and hang our heads when a memory strikes us full force, not wanting the world to see how grief can still slay us. We love and we love and we love and we lose.

Who thought this was a good idea?

And yet it is.

So, what to do with it?

My cousin, what he did was to lead the funeral congregation in a prayer of forgiveness for the actions that took his teenage son from him. Let me repeat that—a grieving parent led the funeral congregation in a prayer of forgiveness for the loss of his son.

My mother, she decided “things” were unimportant, only people mattered. She has spent the rest of her life throwing away, de-cluttering, and smiling at everyone she meets.

Me, I write. In many of my novels and short stories, the dad is dead. The daughter or son who is left behind wrestles with the loss, trying to find a place to step that doesn’t turn into quicksand. As I write, I try to see through the loss, to claim back from death everything it would try to take from us.

I did this with the tiny pearl necklace I wore this Christmas Eve. After Daddy Joe died, a man came to Mother and said her husband had ordered the delicate necklace for his daughter. That made no sense to Mother—why would Joe buy one necklace when he had two daughters? But she paid the man for the necklace and tucked it away with the handful of things she kept from that time. Last year, going through her stuff, she came across the necklace and offered it to us girls, scam though it probably was. I took the necklace and this year, because my dress needed a second necklace, I wore it to Christmas Eve dinner.

Even as I closed the cheap gold clasp around my neck, I wondered anew, why? Why had I accepted something that surely had no connection to Daddy Joe? Did I pitifully act on the slim chance he had, in fact, bought it for me? Or was it something else?

I held the tiny pearl in my fingertips and felt the answer: the “probably a scam” necklace graced my neck because nothing is sacred. Not the wallet that was Daddy Joe’s, not the Ole Miss memorabilia strewn across my house—none of it. The joke is on the man who sold the necklace to Mother. He thought a memento grasped in a sweaty palm could contain and assuage grief. But the only thing that can do that is love, a force so strong it can redeem even the sacrilege of death. Love makes anything, and everything, sacred, even a scam necklace.

When the grief of death strikes anew—as it did this Christmas Eve when I was wearing the tiny pearl necklace and my nephew suddenly, traumatically died—I can only look for the moments when that love manifests itself.

The memory of my Daddy Joe’s arms enveloping and comforting me.

The image of my nephew’s smiling face lighting up whenever he greeted me.

These rays of love that were once in this world left their imprint, and they stay in this world for all time, waiting only for us to reach out and touch the memory of them.

So, basically, I come around to saying those who die are still here.

That’s not letting go. It’s not accepting death as a part of life. It’s not reconciling myself to this configuration that includes repeated, painful loss. I hate death. I always will. But I love love.

And that’s the best I can do.

 

 

 

Filed Under: Damn It?, EAP: The Magazine, Spring 2016: What's the Question

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In This Issue.

  • Who Was Dorothy?
  • Those Evil Spirits.
  • The Screaming Baboon.
  • Her.
  • A Tale of Persistence.
  • A Conversation with Steve Hugh Westenra.
  • Person Number Twelve.
  • Dream Shapes.
  • Cannon Beach.
  • The Muse.
  • Spring.
  • The Greatness that was Greece.
  • 1966, NYC; nothing like it.
  • Sun Shower.
  • The Withering Weight of Being Perceived.
  • Broken Clock.
  • Confession.
  • Francis Coppola’s Apocalypse.
  • Sometimes you die, I mean that people do.
  • True (from “My Life with Dogs”).
  • Fragmentary musings on birds and bees.
  • 12 Baking Essentials to Always Have in Your Poetry.
  • Broad Street.
  • A Death in Alexandria.
  • My Forked Tongue.
  • Swan Lake.
  • Long Division.
  • Singing against the muses.
  • Aphorisms from “What Remains to Be Said”.

In The News.

That cult classic pirate/sci fi mash up GREENBEARD, by Richard James Bentley, is now a rollicking audiobook, available from Audible.com. Narrated and acted by Colby Elliott of Last Word Audio, you’ll be overwhelmed by the riches and hilarity within.

“Captain Sylvestre de Greybagges is your typical seventeenth-century Cambridge-educated lawyer turned Caribbean pirate, as comfortable debating the virtues of William Shakespeare, Isaac Newton, and compound interest as he is wielding a cutlass, needling archrival Henry Morgan, and parsing rum-soaked gossip for his next target. When a pepper monger’s loose tongue lets out a rumor about a fleet loaded with silver, the Captain sets sail only to find himself in a close encounter of a very different kind.

After escaping with his sanity barely intact and his beard transformed an alarming bright green, Greybagges rallies The Ark de Triomphe crew for a revenge-fueled, thrill-a-minute adventure to the ends of the earth and beyond.

This frolicsome tale of skullduggery, jiggery-pokery, and chicanery upon Ye High Seas is brimming with hilarious puns, masterful historical allusions, and nonstop literary hijinks. Including sly references to Thomas Pynchon, Treasure Island, 1940s cinema, and notable historical figures, this mélange of delights will captivate readers with its rollicking adventure, rich descriptions of food and fashion, and learned asides into scientific, philosophical, and colonial history.”

THE SUPERGIRLS is back, revised and updated!

supergirls-take-1

In The News.

Newport Public Library hosted a three part Zoom series on Visionary Fiction, led by Tod.  

And we love them for it, too.

The first discussion was a lively blast. You can watch it here. The second, Looking Back to Look Forward can be seen here.

The third was the best of all. Visions of the Future, with a cast of characters including poets, audiobook artists, historians, Starhawk, and Mary Shelley. Among others. Link is here.

In the News.

SNOTTY SAVES THE DAY is now an audiobook, narrated by Last Word Audio’s mellifluous Colby Elliott. It launched May 10th, but for a limited time, you can listen for free with an Audible trial membership. So what are you waiting for? Start listening to the wonders of how Arcadia was born from the worst section of the worst neighborhood in the worst empire of all the worlds since the universe began.

In The News.

If you love audio books, don’t miss the new release of REPORT TO MEGALOPOLIS, by Tod Davies, narrated by Colby Elliott of Last Word Audio. The tortured Aspern Grayling tries to rise above the truth of his own story, fighting with reality every step of the way, and Colby’s voice is the perfect match for our modern day Dr. Frankenstein.

In The News.

Mike Madrid dishes on Miss Fury to the BBC . . .

Tod on the Importance of Visionary Fiction

Check out this video of “Beyond Utopia: The Importance of Fantasy,” Tod’s recent talk at the tenth World-Ecology Research Network Conference, June 2019, in San Francisco. She covers everything from Wind in the Willows to the work of Kim Stanley Robinson, with a look at The History of Arcadia along the way. As usual, she’s going on about how visionary fiction has an important place in the formation of a world we want and need to have.

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