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Lost Trademark.

September 30, 2015 by Exangel

by R.C. Savoie.

 

R.C. Savoie’s debut novel lost trademark is about by a young man who was named and raised by a multinational corporation. They use him for their official logo, printing a stylized version of his face on every product they produce. All of this makes him an uniquely famous person…

 

Later in bed, Celica and I watched a purple crayon streak warm the sky.

“What’s it like being famous?” she asked.

“What do you mean?”

“You know. Celebrities are always asked this question, but everything printed feels, I don’t know. Printed. Scripted. Like a lion trainer taught them how to jump through the hoops. I want a real answer. How it feels. Really.”

“I’m not a real celebrity.”

“Stop talking to the microphone. You just ran your tongue over my body for two hours. Feel free to loosen up any time now.”

My head was in her lap. She was running her fingers through my hair.

“Why do you want to be a model?”

“I asked first.”

“Touché. Ok, ever go grocery shopping?”

“No. Never.”

“So you walk into the grocery store and right at the entrance is a big ceiling-mounted monitor showing an image of you walking through the automated doors, there telling you we are watching, we’re here, you’re on film, don’t try nothing.”

“So it’s like being filmed all the time.”

“Hold on.”

“Ok.”

“It’s there for the shoplifters, you know this, understand it implicitly and ignore the monitor because you are not a shoplifter. It isn’t speaking to you. So you go about your business, get a shopping cart and wander through the produce section with all these open piles of fruits and vegetables and pine barrels of various nuts. And you see some peanuts on sale, 80% off by the pound. But nobody gives anything away unless something’s wrong with it. So you suspect a rip-off and totally should because a company that kills its own profits is like a person shooting herself in the leg. Half of the nuts must be rotting or had fertilizer dumped on them or something equally terrible. So you pick up a peanut and look at it suspiciously, turning it over and over until you notice a small hole in the shell. Aha! You wedge your fingernails in to pry it open and pop out a nut. Then you hold it to your face and turn it over and over looking for flaws, but can’t find any. It looks like any other peanut. You hold it to your nostrils and inhale deeply. It smells like any other peanut. But you just know something’s up, so you hesitate a moment, then think screw it and pop it into your mouth.”

“And it’s fine.”

“Doesn’t matter. Because that’s when you remember the cameras.”

“I wouldn’t do that.”

“I don’t care, I’m telling you this is how it is. That oh shit! moment you realize you’re being filmed with a stolen peanut in your mouth. This is what fame is like. It’s about being like anyone else in a supermarket, walking around with hidden cameras filming your every move – except when you’re famous you’ve always eaten a stolen peanut and feel the camera eye on you and have the oh shits fluttering in your stomach. The camera is in your head. Sometimes you forget about it like the rest of the world, but you really can’t because that suspiciously flawed peanut is your humanity, and you always need to pick at it to figure out why it’s flawed. But when regular people do this no one cares. The film rolls on and is eventually recorded over with more bland footage of more regular people picking at their peanuts. But when celebrities do this the lenses zoom in, the film is filed away for sale to the worst sort of people, your peanut is always stolen. And you know this, most celebrities even accept it. But when you forget it it’s like sleepwalking toward a descending staircase: you’re just bound for a terrible fall. So you have to keep yourself constantly awake. You can never sleep. You must remember the cameras. And that’s your answer: fame is insomnia. But hey, some people like being caffeinated all the time. I’m not one of them. Then again though, I’m just a face on a toaster. I’m not really famous-famous.”

The sky added a layer of orange to the purple. When I looked up her head was bowed asleep.

Filed Under: EAP: The Magazine, Fall 2015: I Wonder/We Wonder.

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In This Issue.

  • Who Was Dorothy?
  • Those Evil Spirits.
  • The Screaming Baboon.
  • Her.
  • A Tale of Persistence.
  • A Conversation with Steve Hugh Westenra.
  • Person Number Twelve.
  • Dream Shapes.
  • Cannon Beach.
  • The Muse.
  • Spring.
  • The Greatness that was Greece.
  • 1966, NYC; nothing like it.
  • Sun Shower.
  • The Withering Weight of Being Perceived.
  • Broken Clock.
  • Confession.
  • Francis Coppola’s Apocalypse.
  • Sometimes you die, I mean that people do.
  • True (from “My Life with Dogs”).
  • Fragmentary musings on birds and bees.
  • 12 Baking Essentials to Always Have in Your Poetry.
  • Broad Street.
  • A Death in Alexandria.
  • My Forked Tongue.
  • Swan Lake.
  • Long Division.
  • Singing against the muses.
  • Aphorisms from “What Remains to Be Said”.

In The News.

That cult classic pirate/sci fi mash up GREENBEARD, by Richard James Bentley, is now a rollicking audiobook, available from Audible.com. Narrated and acted by Colby Elliott of Last Word Audio, you’ll be overwhelmed by the riches and hilarity within.

“Captain Sylvestre de Greybagges is your typical seventeenth-century Cambridge-educated lawyer turned Caribbean pirate, as comfortable debating the virtues of William Shakespeare, Isaac Newton, and compound interest as he is wielding a cutlass, needling archrival Henry Morgan, and parsing rum-soaked gossip for his next target. When a pepper monger’s loose tongue lets out a rumor about a fleet loaded with silver, the Captain sets sail only to find himself in a close encounter of a very different kind.

After escaping with his sanity barely intact and his beard transformed an alarming bright green, Greybagges rallies The Ark de Triomphe crew for a revenge-fueled, thrill-a-minute adventure to the ends of the earth and beyond.

This frolicsome tale of skullduggery, jiggery-pokery, and chicanery upon Ye High Seas is brimming with hilarious puns, masterful historical allusions, and nonstop literary hijinks. Including sly references to Thomas Pynchon, Treasure Island, 1940s cinema, and notable historical figures, this mélange of delights will captivate readers with its rollicking adventure, rich descriptions of food and fashion, and learned asides into scientific, philosophical, and colonial history.”

THE SUPERGIRLS is back, revised and updated!

supergirls-take-1

In The News.

Newport Public Library hosted a three part Zoom series on Visionary Fiction, led by Tod.  

And we love them for it, too.

The first discussion was a lively blast. You can watch it here. The second, Looking Back to Look Forward can be seen here.

The third was the best of all. Visions of the Future, with a cast of characters including poets, audiobook artists, historians, Starhawk, and Mary Shelley. Among others. Link is here.

In the News.

SNOTTY SAVES THE DAY is now an audiobook, narrated by Last Word Audio’s mellifluous Colby Elliott. It launched May 10th, but for a limited time, you can listen for free with an Audible trial membership. So what are you waiting for? Start listening to the wonders of how Arcadia was born from the worst section of the worst neighborhood in the worst empire of all the worlds since the universe began.

In The News.

If you love audio books, don’t miss the new release of REPORT TO MEGALOPOLIS, by Tod Davies, narrated by Colby Elliott of Last Word Audio. The tortured Aspern Grayling tries to rise above the truth of his own story, fighting with reality every step of the way, and Colby’s voice is the perfect match for our modern day Dr. Frankenstein.

In The News.

Mike Madrid dishes on Miss Fury to the BBC . . .

Tod on the Importance of Visionary Fiction

Check out this video of “Beyond Utopia: The Importance of Fantasy,” Tod’s recent talk at the tenth World-Ecology Research Network Conference, June 2019, in San Francisco. She covers everything from Wind in the Willows to the work of Kim Stanley Robinson, with a look at The History of Arcadia along the way. As usual, she’s going on about how visionary fiction has an important place in the formation of a world we want and need to have.

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