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SALMON.

December 26, 2013 by Exangel

by David D. Horowitz.

“Red-orange-pink,” I mused to myself, watching a mid-summer Seattle dusk settle over the Olympic Mountains. Almost nineteen and soon to begin my sophomore year at the University of Washington, I had taken to jotting down poetic inspirations in a spiral-bound notebook: “Waves sparkle like diamonds” and “misty mountain ranges” and now “red-orange-pink sunset.”

Yet, I felt impelled to refine my phrasing. “Red-orange-pink” was too long, cumbersome, obvious. I aspired to eloquence. Each night for the next few weeks of that glorious summer I walked a block from my home on Greenwood Avenue North to a residential hilltop from where I could absorb the dusk colors: “purple-pink-orange,” “red-smoke-azure,” “violet-orange.” Still, I was not satisfied. One evening, admiring the dusk horizon, about three weeks into my first serious poetic search for the right word, I felt thunderstruck: “Salmon!” Yes, the Seattle summer sunset is salmon! The description fit and resonated with consistent connotation, as so many salmon swim Puget Sound. My persistence at last had yielded a genuine inspiration. Salmon!

First, though, I was a philosophy major. Studying philosophy inspired me to rigor and honesty, as true philosophers consider all aspects of an argument. I learned to ask difficult questions, to probe. Many of my teachers and classmates might have been liberal, but I felt honor-bound to consider arguments such as those favoring capitalism and self-interest, and I began admitting fear of inner-city crime without apologizing for myself as a presumed racist. I had recently endured six years of upper-division public schools beset by racial tension and violence. I had been mugged in a school hallway and threatened on ball fields and in bathrooms, as had many of my friends. I needed to be honest about my hostilities and fears, not smile innocuously to avoid accusation. I learned not to censor myself. I gained the liberty to admit my true political feelings. And consequently I often felt I was swimming, salmon-like, against the current.

Eventually, long after graduation, I associated with some free market devotees. Nevertheless, my sense of integrity and liberty impelled me to question their and my own assumptions. Perhaps some government intervention could prove beneficial and fair; perhaps some government-sponsored assistance in emergency situations is justified. Moreover, despite my friends’ general hostility to religion I felt stirred to posit the worth of emotive as well as rational connections to nature. Stirred to wonderment and gratitude by a starry night, why shouldn’t I acknowledge longing for the infinite and eternal? This is not superstition. It’s pulse, vitality, aspiration. It’s recognition of accountability to a grand natural order—and call it “God,” if you wish.

However, the same impulse that pushed me to articulate “salmon” to describe a sunset and to question statist and then free market economic assumptions now pushed me to reach past reliance on traditional religious formulas. I articulated my own form of deism. I asserted connection and accountability to a vast natural order while guided by ideals of consideration and vitality. Consideration and thoughtfulness became my favorite words; they are inclusive, describing simultaneous kindness and reasonableness, self-interest and sympathy. I could commit to such a balance of ideals, whereas I could not give myself to faith in a messiah, miracles, prophets, and holy book to be obeyed by a chosen people of God. And this spiritual independence fed my poetry. I would espouse what I genuinely believed, not what would ingratiate me with powerful people expecting a commitment to Judeo-Christianity or an established alternative with ready-made networks to help speed me to enlightenment and success. And I would write poetry the way I felt was best: in rhymed metrics, imagistic, and radically concise. So, whether as a poet writing rhyming lyrics about a salmon sunset or as a philosopher swimming salmon-like against the current of majority opinion, I still champion the liberty that lets me search past dogmas, formulas, and clichés.

Filed Under: EAP: The Magazine, Winter 2014: Liberty & Lyrics.

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In This Issue.

  • Who Was Dorothy?
  • Those Evil Spirits.
  • The Screaming Baboon.
  • Her.
  • A Tale of Persistence.
  • A Conversation with Steve Hugh Westenra.
  • Person Number Twelve.
  • Dream Shapes.
  • Cannon Beach.
  • The Muse.
  • Spring.
  • The Greatness that was Greece.
  • 1966, NYC; nothing like it.
  • Sun Shower.
  • The Withering Weight of Being Perceived.
  • Broken Clock.
  • Confession.
  • Francis Coppola’s Apocalypse.
  • Sometimes you die, I mean that people do.
  • True (from “My Life with Dogs”).
  • Fragmentary musings on birds and bees.
  • 12 Baking Essentials to Always Have in Your Poetry.
  • Broad Street.
  • A Death in Alexandria.
  • My Forked Tongue.
  • Swan Lake.
  • Long Division.
  • Singing against the muses.
  • Aphorisms from “What Remains to Be Said”.

In The News.

That cult classic pirate/sci fi mash up GREENBEARD, by Richard James Bentley, is now a rollicking audiobook, available from Audible.com. Narrated and acted by Colby Elliott of Last Word Audio, you’ll be overwhelmed by the riches and hilarity within.

“Captain Sylvestre de Greybagges is your typical seventeenth-century Cambridge-educated lawyer turned Caribbean pirate, as comfortable debating the virtues of William Shakespeare, Isaac Newton, and compound interest as he is wielding a cutlass, needling archrival Henry Morgan, and parsing rum-soaked gossip for his next target. When a pepper monger’s loose tongue lets out a rumor about a fleet loaded with silver, the Captain sets sail only to find himself in a close encounter of a very different kind.

After escaping with his sanity barely intact and his beard transformed an alarming bright green, Greybagges rallies The Ark de Triomphe crew for a revenge-fueled, thrill-a-minute adventure to the ends of the earth and beyond.

This frolicsome tale of skullduggery, jiggery-pokery, and chicanery upon Ye High Seas is brimming with hilarious puns, masterful historical allusions, and nonstop literary hijinks. Including sly references to Thomas Pynchon, Treasure Island, 1940s cinema, and notable historical figures, this mélange of delights will captivate readers with its rollicking adventure, rich descriptions of food and fashion, and learned asides into scientific, philosophical, and colonial history.”

THE SUPERGIRLS is back, revised and updated!

supergirls-take-1

In The News.

Newport Public Library hosted a three part Zoom series on Visionary Fiction, led by Tod.  

And we love them for it, too.

The first discussion was a lively blast. You can watch it here. The second, Looking Back to Look Forward can be seen here.

The third was the best of all. Visions of the Future, with a cast of characters including poets, audiobook artists, historians, Starhawk, and Mary Shelley. Among others. Link is here.

In the News.

SNOTTY SAVES THE DAY is now an audiobook, narrated by Last Word Audio’s mellifluous Colby Elliott. It launched May 10th, but for a limited time, you can listen for free with an Audible trial membership. So what are you waiting for? Start listening to the wonders of how Arcadia was born from the worst section of the worst neighborhood in the worst empire of all the worlds since the universe began.

In The News.

If you love audio books, don’t miss the new release of REPORT TO MEGALOPOLIS, by Tod Davies, narrated by Colby Elliott of Last Word Audio. The tortured Aspern Grayling tries to rise above the truth of his own story, fighting with reality every step of the way, and Colby’s voice is the perfect match for our modern day Dr. Frankenstein.

In The News.

Mike Madrid dishes on Miss Fury to the BBC . . .

Tod on the Importance of Visionary Fiction

Check out this video of “Beyond Utopia: The Importance of Fantasy,” Tod’s recent talk at the tenth World-Ecology Research Network Conference, June 2019, in San Francisco. She covers everything from Wind in the Willows to the work of Kim Stanley Robinson, with a look at The History of Arcadia along the way. As usual, she’s going on about how visionary fiction has an important place in the formation of a world we want and need to have.

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