• Skip to main content
  • Skip to secondary menu
  • Skip to primary sidebar
Exterminating Angel Press

Exterminating Angel Press

Creative Solutions for Practical Idealists.

  • Home.
  • Our Books.
  • About Us.
    • What EAP’s About.
    • Why Exterminating Angel?
    • Becoming Part of the EAP Community.
    • EAP’s Poetry Editor Speaks!
    • Contributors.
    • EAP Press.
  • EAP: The Magazine.
    • EAP: The Magazine Archive
  • Tod Blog.
  • Jam Today.
  • Contact Us.
  • Cart.

Speed Maturing.

March 31, 2013 by Exangel

by Diane Mierzwik

I sat at the stoplight, tapping my fingers on the steering wheel, pretending to be listening to the song on the radio for anyone who might just look over into my idling car and see me, when all I was really concentrating on were the words which rang through my head.

“You are the emotional age of when you started drinking.”

Three months of meetings and “One day at a time” suddenly became relevant.

The rest of the meeting was background noise as I calculated and recalculated my emotional age using my mathematical equation which found the exponential value of the times I was sober, found the derivative of the times I was relatively sober, and added them to the age of first drinking. By the end of the meeting, I had found the mean, medium and mode of my current emotional age.

My precise calculations estimated I was between 23 and 27 emotional years old. I wondered if math would help me understand what exactly that meant for a 39 year old. I decided I would need social science for that and wished I hadn’t been drunk through most of those courses, since they are an easy A.

Instead of creating a longitudinal study for that complex dilemma, I began wishing I had the body of a 23 year old. Then I realized I had just been distracted by narcissistic thoughts about how I look, but figured since I was emotionally only a twenty-something year old, it was fine. To be expected in fact.

I wondered if there was some crash course in aging emotionally I could take which would help me to catch up to my chronological age. Like an Evelyn Wood speed reading course for recovering drunks who needed speed maturing.

Little did I know, my sponsor had already enrolled me in such a course, called “Making Amends.”

Previously, the only experience I had with making amends consisted of a Malcolm in the Middle episode in which a woman apologizes to Malcolm’s mom for having an affair with Malcolm’s dad. She, like me, was a black out drinker and had her facts all wrong.

I worried about the disasters my amends might cause, kind of like worrying that when speed reading skipping those “and” “if” and “buts” might ruin your literary experience.

And I was right. I did find that my apologies were off the mark, but not in the way I imagined.

Several weeks later, after awkwardly “catching up” with my lunch date, the woman who used to be my best friend, being careful not to double dip in the common bowl of salsa and waiting for her to finish her chicken enchiladas and have her plate cleared so there would be no across-the-table-aimed-at-me-flying food, I began, “I need to apologize…”

I unfolded the slip of paper I had pulled from my jeans’ pocket and began reading the list of embarrassing actions I had engaged in all in the name of throwing a few back, pausing after each one to make appropriate eye contact and to make a fitting sad, contrite face.

“… for snapping at you when you went out to dinner with other friends after I had spent the day helping you paint your daughter’s bedroom. ”

Downturned mouth, raised eyebrows to indicate how ridiculously petty I had been.

“… for calling you a liar when you told me the weather in your town was beautiful. I didn’t mean to hurt your feelings with my joke.”

Steady eye contact to indicate how there is nothing funny in a joke only one of you gets.

I ran through the long list of things I had done wrong, emotionally immaturely wrong, and resisted the desire to point out how I had been likewise maltreated. According to my speed maturing tutor, this was blame-shifting and would make my amends null and void. The point was not to even the score, but to accept my responsibility in the situation… or situations.

When I finally wound down and had folded my list closed, I smiled weakly, waiting for the “oh, that’s okay. It wasn’t all that bad” response I felt I deserved.

As I sat back in the booth to soak up the reassurances and began scripting how I would tell my sponsor “I told you so” in so many not those words words, my lunch date leaned forward, narrowed her eyes, and began.

“What about the time you threw water in my face or the time you…”

I was so glad I had leaned back, out of spitting mad range.

I let her wind down, drinking the rest of my water then chewing noisily on my ice then rubbing the condensation on the table under the glass into a peace sign then tearing my napkin into a small white flag I waved in front of my chest, finally apologizing profusely, and barely pointing out that I didn’t remember any of it. I decided against explaining to her that they call it black-out drinking for a reason. Instead I paid the bill quickly, before she remembered anything else.

I hoped there was such a thing as black out amending.

I hoped this torture was helping me to emotionally catch up to my crow-footed eyes, sagging body parts, and graying hair age.

Over and over I sped through “situations” which required me to soak in criticism and blame for my behaviors, when all I really wanted to do was drink a few beers, then a few more, and settle into my haze of ignorant, emotionally-stunted bliss.

Besides, my eyesight was failing. Without my glasses, my chronological age was easy to deny. And I thought it was quite amusing when my teenage son told me to “act my age” as if he had a patent on immaturity. Maybe failing the course wouldn’t be such a bad thing.

But I am not a quitter, except when it comes to drinking that is. So I slogged through all of my amends until I got my “course completed” stamp from my sponsor.

I’d like to say that at the end of my speed maturing course I was an equanime yogi. But, as an emotionally mature person, I know that these labels are not for me to dispense, at least not on myself.

I am looking forward to putting my sponsee through the course… for her own emotional well-being, obviously. Not for my entertainment because that would be juvenile, or at least twenty-something behavior.

Filed Under: EAP: The Magazine, Spring 2013: Growing Up. Tagged With: addiction, emotional age, Growing up

Primary Sidebar

Cart.

Check Out Our Magazine.

In This Issue.

  • Who Was Dorothy?
  • Those Evil Spirits.
  • The Screaming Baboon.
  • Her.
  • A Tale of Persistence.
  • A Conversation with Steve Hugh Westenra.
  • Person Number Twelve.
  • Dream Shapes.
  • Cannon Beach.
  • The Muse.
  • Spring.
  • The Greatness that was Greece.
  • 1966, NYC; nothing like it.
  • Sun Shower.
  • The Withering Weight of Being Perceived.
  • Broken Clock.
  • Confession.
  • Francis Coppola’s Apocalypse.
  • Sometimes you die, I mean that people do.
  • True (from “My Life with Dogs”).
  • Fragmentary musings on birds and bees.
  • 12 Baking Essentials to Always Have in Your Poetry.
  • Broad Street.
  • A Death in Alexandria.
  • My Forked Tongue.
  • Swan Lake.
  • Long Division.
  • Singing against the muses.
  • Aphorisms from “What Remains to Be Said”.

In The News.

That cult classic pirate/sci fi mash up GREENBEARD, by Richard James Bentley, is now a rollicking audiobook, available from Audible.com. Narrated and acted by Colby Elliott of Last Word Audio, you’ll be overwhelmed by the riches and hilarity within.

“Captain Sylvestre de Greybagges is your typical seventeenth-century Cambridge-educated lawyer turned Caribbean pirate, as comfortable debating the virtues of William Shakespeare, Isaac Newton, and compound interest as he is wielding a cutlass, needling archrival Henry Morgan, and parsing rum-soaked gossip for his next target. When a pepper monger’s loose tongue lets out a rumor about a fleet loaded with silver, the Captain sets sail only to find himself in a close encounter of a very different kind.

After escaping with his sanity barely intact and his beard transformed an alarming bright green, Greybagges rallies The Ark de Triomphe crew for a revenge-fueled, thrill-a-minute adventure to the ends of the earth and beyond.

This frolicsome tale of skullduggery, jiggery-pokery, and chicanery upon Ye High Seas is brimming with hilarious puns, masterful historical allusions, and nonstop literary hijinks. Including sly references to Thomas Pynchon, Treasure Island, 1940s cinema, and notable historical figures, this mélange of delights will captivate readers with its rollicking adventure, rich descriptions of food and fashion, and learned asides into scientific, philosophical, and colonial history.”

THE SUPERGIRLS is back, revised and updated!

supergirls-take-1

In The News.

Newport Public Library hosted a three part Zoom series on Visionary Fiction, led by Tod.  

And we love them for it, too.

The first discussion was a lively blast. You can watch it here. The second, Looking Back to Look Forward can be seen here.

The third was the best of all. Visions of the Future, with a cast of characters including poets, audiobook artists, historians, Starhawk, and Mary Shelley. Among others. Link is here.

In the News.

SNOTTY SAVES THE DAY is now an audiobook, narrated by Last Word Audio’s mellifluous Colby Elliott. It launched May 10th, but for a limited time, you can listen for free with an Audible trial membership. So what are you waiting for? Start listening to the wonders of how Arcadia was born from the worst section of the worst neighborhood in the worst empire of all the worlds since the universe began.

In The News.

If you love audio books, don’t miss the new release of REPORT TO MEGALOPOLIS, by Tod Davies, narrated by Colby Elliott of Last Word Audio. The tortured Aspern Grayling tries to rise above the truth of his own story, fighting with reality every step of the way, and Colby’s voice is the perfect match for our modern day Dr. Frankenstein.

In The News.

Mike Madrid dishes on Miss Fury to the BBC . . .

Tod on the Importance of Visionary Fiction

Check out this video of “Beyond Utopia: The Importance of Fantasy,” Tod’s recent talk at the tenth World-Ecology Research Network Conference, June 2019, in San Francisco. She covers everything from Wind in the Willows to the work of Kim Stanley Robinson, with a look at The History of Arcadia along the way. As usual, she’s going on about how visionary fiction has an important place in the formation of a world we want and need to have.

Copyright © 2025 · Exterminating Angel Press · Designed by Ashland Websites