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book publishing

A Trip to Minneapolis

February 14, 2009 by Exangel

There were fourteen people peering benevolently at me from around the table.  The effect would have been overwhelming, if it wasn’t so comforting—rather, as I said later, like being lifted up by a particularly cosy tidal wave.  Each one of the people nodding and smiling had their own specialty, and each specialty was something I wanted to know more about.

Best of all, all their specialties and mine were going to combine into a force heading for one goal.  And there was nobody on top, nobody ‘in charge’ (except where it was somebody’s job to be in charge of some specific project), nobody who could suddenly and capriciously bring the whole thing to an end…nobody who would want to, anyway.  I could tell that right away, looking around the table.  This was a group of people who were happy in their jobs and absorbed in their work.

It was my meeting with the distributor Consortium, a book distributor specializing in the needs of independent and small publishers.  Their list is an impressive one—many of the small publishers I’ve admired over the years turn out to be parked there—and the atmosphere in the office is a pleasant, functional, get-on-with-it-and-have-fun-why-don’t-you kind of a thing that you can feel right away.

Consortium has a policy of spending a full day with any new publisher, so you (the publisher—me) can meet everyone, put faces on functions, understand what they do…and so they, presumably, can get a look at you (the publisher—me).  A little overwhelming by the middle of the day, when I have a stack of handouts and cards in front of me, and my mental hard drive is beginning to call for back up.  But exciting.  Really exciting.

Faces on functions.  Jaime covers Amazon, Nan does Barnes and Noble, Bill sells to wholesalers.  Michael knows production. Natalie settles the catalog.  Heather can tell me everything I need to know about libraries and schools…

My notes are all over the place, and all over bits and pieces of paper.  But when I’m back at my desk and survey them, they do (satisfyingly enough) make sense.

Here’s what made the most sense, though, when I had time to settle and think things over: this is a nonhierarchical way to work.  This is not a pyramid arranged with someone on top, and people spreading out, with various rights and responsibilities, on varying tiers, below.  This is an equity of work.  The point is the work, not the structure; the structure serves the work, not the other way ‘round.  When someone’s in charge, it’s to get something done; it’s properly situational.

It is, all ‘round, the way I like to work.  The way I’ve started and mean to go on.  So I think EAP’s ended up in the right place.

(And by the way, the above is why I get nervous hearing people talk about ‘submissions’ to EAP, when I think of them as ‘contributions’.  ‘Submissions’ makes me think a piece of work is being submitted to my judgment of its worth, and that’s something I don’t feel at all competent to do—how many things of worth have been ignored or scorned because the person doing the ignoring or scorning just had no judgment at all?  ‘Contributions’, though, that’s about sending something in to add to the general conversation.  And if I say no, that’s not EAP, I’m not judging its worth—whatever that means—but whether or not it adds to the conversation.  We’ve gotten a lot of stuff sent over the electronic transom that was competently, even beautifully, written, but that seemed utterly oblivious to the subject of partnership and equity, and how they can be achieved in a culture based on domination and hierarchy.  And when I say, well, this piece should go somewhere else, those writers sometimes get very, very annoyed.   Because, I suppose, they’re used to being judged on a whole different set of criteria, and not fetching up somewhere where the judging function is not exactly the first one we reach for.  What function is the first one EAP reaches for?  Hmmm.  The curiosity function.  Is this telling me something I didn’t know from someone who knows better than me?  And since anyone writing, or photoing, or filming, or any other form of expression, exactly what his or her own experience truly is knows that subject much better than me, that’s the kind of expression that gets my attention every time.)

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In This Issue.

  • Who Was Dorothy?
  • Those Evil Spirits.
  • The Screaming Baboon.
  • Her.
  • A Tale of Persistence.
  • A Conversation with Steve Hugh Westenra.
  • Person Number Twelve.
  • Dream Shapes.
  • Cannon Beach.
  • The Muse.
  • Spring.
  • The Greatness that was Greece.
  • 1966, NYC; nothing like it.
  • Sun Shower.
  • The Withering Weight of Being Perceived.
  • Broken Clock.
  • Confession.
  • Francis Coppola’s Apocalypse.
  • Sometimes you die, I mean that people do.
  • True (from “My Life with Dogs”).
  • Fragmentary musings on birds and bees.
  • 12 Baking Essentials to Always Have in Your Poetry.
  • Broad Street.
  • A Death in Alexandria.
  • My Forked Tongue.
  • Swan Lake.
  • Long Division.
  • Singing against the muses.
  • Aphorisms from “What Remains to Be Said”.

In The News.

That cult classic pirate/sci fi mash up GREENBEARD, by Richard James Bentley, is now a rollicking audiobook, available from Audible.com. Narrated and acted by Colby Elliott of Last Word Audio, you’ll be overwhelmed by the riches and hilarity within.

“Captain Sylvestre de Greybagges is your typical seventeenth-century Cambridge-educated lawyer turned Caribbean pirate, as comfortable debating the virtues of William Shakespeare, Isaac Newton, and compound interest as he is wielding a cutlass, needling archrival Henry Morgan, and parsing rum-soaked gossip for his next target. When a pepper monger’s loose tongue lets out a rumor about a fleet loaded with silver, the Captain sets sail only to find himself in a close encounter of a very different kind.

After escaping with his sanity barely intact and his beard transformed an alarming bright green, Greybagges rallies The Ark de Triomphe crew for a revenge-fueled, thrill-a-minute adventure to the ends of the earth and beyond.

This frolicsome tale of skullduggery, jiggery-pokery, and chicanery upon Ye High Seas is brimming with hilarious puns, masterful historical allusions, and nonstop literary hijinks. Including sly references to Thomas Pynchon, Treasure Island, 1940s cinema, and notable historical figures, this mélange of delights will captivate readers with its rollicking adventure, rich descriptions of food and fashion, and learned asides into scientific, philosophical, and colonial history.”

THE SUPERGIRLS is back, revised and updated!

supergirls-take-1

In The News.

Newport Public Library hosted a three part Zoom series on Visionary Fiction, led by Tod.  

And we love them for it, too.

The first discussion was a lively blast. You can watch it here. The second, Looking Back to Look Forward can be seen here.

The third was the best of all. Visions of the Future, with a cast of characters including poets, audiobook artists, historians, Starhawk, and Mary Shelley. Among others. Link is here.

In the News.

SNOTTY SAVES THE DAY is now an audiobook, narrated by Last Word Audio’s mellifluous Colby Elliott. It launched May 10th, but for a limited time, you can listen for free with an Audible trial membership. So what are you waiting for? Start listening to the wonders of how Arcadia was born from the worst section of the worst neighborhood in the worst empire of all the worlds since the universe began.

In The News.

If you love audio books, don’t miss the new release of REPORT TO MEGALOPOLIS, by Tod Davies, narrated by Colby Elliott of Last Word Audio. The tortured Aspern Grayling tries to rise above the truth of his own story, fighting with reality every step of the way, and Colby’s voice is the perfect match for our modern day Dr. Frankenstein.

In The News.

Mike Madrid dishes on Miss Fury to the BBC . . .

Tod on the Importance of Visionary Fiction

Check out this video of “Beyond Utopia: The Importance of Fantasy,” Tod’s recent talk at the tenth World-Ecology Research Network Conference, June 2019, in San Francisco. She covers everything from Wind in the Willows to the work of Kim Stanley Robinson, with a look at The History of Arcadia along the way. As usual, she’s going on about how visionary fiction has an important place in the formation of a world we want and need to have.

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