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Goodwill

I Still Dislike Ayn Rand

October 30, 2009 by Exangel

Nothing like having the first season of your own publishing company to make you feel somewhat giddy, and like you don’t know up from down.  I mean, I DON’T know up from down, but generally I can hide that fact from myself fairly successfully.

Still, that giddiness thing is not unpleasant. Oh yeah, sure, there’s that sudden realization that in a tiny margin business you can make a mistake and kapow! That’s it for you. But you know, after a lifetime of bohemian excesses (kept in certain bounds by a prim middle class Catholic upbringing, to the extent that they almost can’t be called excesses at all…that is, until you look them over later), this kind of thing is quite exhilarating.  We’ve got each other, Alex and I point out delightedly, we’ve got our health, we’ve got our dogs, we’ve got our friends and family, we’ve got our creative activity, and if we don’t have a particularly healthy bank balance, well, just exactly how much do we WANT to be that different from our neighbors?

Here’s the thing: I don’t want to be different from my neighbors. I don’t want to be that kind of artist whose main goal (we know who these guys are) is to be different from everyone else and acknowledged to BE different.  Not only do I not want it because I think it’s bad for the community, that kind of attitude, I don’t want it because I know it’s bad for ME. I don’t like it. It gives me an unpleasant taste in my mouth to fantasize that I have any more rights or any more worth than anyone else.

In short, I don’t want to be Ayn Rand.

I was kind of surprised a little while ago, while guestblogging on the Powell’s Books Blog site, that the piece that got the most comment was a rather lighthearted one about our dog agility teacher and the home grown vegetables in her neighborhood.  Almost as an afterthought, I titled it: AYN RAND WOULD NOT UNDERSTAND THIS POST. And immediately, IMMEDIATELY, got a comment sternly lecturing me about how Ayn Rand was for everything good and true and beautiful and I should read THE FOUNTAINHEAD RIGHT NOW.

Well, I mean, I’ve read The Fountainhead, which is saying something, since from a literary point of view it’s just about unreadable.  From a sociological point of view, of course, it’s fascinating, and what’s more fascinating about it is why on earth it’s so popular with young people right now.  I think a New York Times article today must have nailed it: the book promises you can be different from everyone else, a GENIUS, not constrained by normal people’s rules, if you just clap your hands and believe in Ayn Rand.

What about those of us who don’t want to be geniuses, and are damn sick of how many of them clutter up the public highways? What about US?

And  speaking of them, Brian Griffith—who is a prime example of a wonderful, thoughtful, commonsensical PERSON who has no wish to be a genius, only a member of a sane community—has his wonderful, thoughtful, commonsensical book CORRECTING JESUS: 2000 Years of Changing the Story, out now with us, Exterminating Angel Press. Publishers Weekly gave it a good, commonsensical review. And it’s just like sitting over dessert with the most courteous thinker ever, who wants to share with you what he’s noticed in poring over historical texts of the last two thousand years.  You know the kind of dinner guest I’m talking about.  The one who is so into his subject, that you can’t help but be fascinated.

So do yourself a favor.  Drop that copy of THE FOUNTAINHEAD off at the nearest Goodwill.  Pour yourself a nice cup of tea. And sit down with Brian Griffith for an hour or two and have a conversation with him in your head. It’ll be way more fun in the long run. I promise. And it has the added benefit that you won’t feel any residual guilt for spending time with a book where the hero rapes the heroine and then blows up a public low income housing project just because it doesn’t meet his fastidious tastes.

You’ll feel much better being a person hanging out with other people, instead of being a genius all alone while he/she’s being looked up to by the mob below. That I can absolutely promise.

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In This Issue.

  • Who Was Dorothy?
  • Those Evil Spirits.
  • The Screaming Baboon.
  • Her.
  • A Tale of Persistence.
  • A Conversation with Steve Hugh Westenra.
  • Person Number Twelve.
  • Dream Shapes.
  • Cannon Beach.
  • The Muse.
  • Spring.
  • The Greatness that was Greece.
  • 1966, NYC; nothing like it.
  • Sun Shower.
  • The Withering Weight of Being Perceived.
  • Broken Clock.
  • Confession.
  • Francis Coppola’s Apocalypse.
  • Sometimes you die, I mean that people do.
  • True (from “My Life with Dogs”).
  • Fragmentary musings on birds and bees.
  • 12 Baking Essentials to Always Have in Your Poetry.
  • Broad Street.
  • A Death in Alexandria.
  • My Forked Tongue.
  • Swan Lake.
  • Long Division.
  • Singing against the muses.
  • Aphorisms from “What Remains to Be Said”.

In The News.

That cult classic pirate/sci fi mash up GREENBEARD, by Richard James Bentley, is now a rollicking audiobook, available from Audible.com. Narrated and acted by Colby Elliott of Last Word Audio, you’ll be overwhelmed by the riches and hilarity within.

“Captain Sylvestre de Greybagges is your typical seventeenth-century Cambridge-educated lawyer turned Caribbean pirate, as comfortable debating the virtues of William Shakespeare, Isaac Newton, and compound interest as he is wielding a cutlass, needling archrival Henry Morgan, and parsing rum-soaked gossip for his next target. When a pepper monger’s loose tongue lets out a rumor about a fleet loaded with silver, the Captain sets sail only to find himself in a close encounter of a very different kind.

After escaping with his sanity barely intact and his beard transformed an alarming bright green, Greybagges rallies The Ark de Triomphe crew for a revenge-fueled, thrill-a-minute adventure to the ends of the earth and beyond.

This frolicsome tale of skullduggery, jiggery-pokery, and chicanery upon Ye High Seas is brimming with hilarious puns, masterful historical allusions, and nonstop literary hijinks. Including sly references to Thomas Pynchon, Treasure Island, 1940s cinema, and notable historical figures, this mélange of delights will captivate readers with its rollicking adventure, rich descriptions of food and fashion, and learned asides into scientific, philosophical, and colonial history.”

THE SUPERGIRLS is back, revised and updated!

supergirls-take-1

In The News.

Newport Public Library hosted a three part Zoom series on Visionary Fiction, led by Tod.  

And we love them for it, too.

The first discussion was a lively blast. You can watch it here. The second, Looking Back to Look Forward can be seen here.

The third was the best of all. Visions of the Future, with a cast of characters including poets, audiobook artists, historians, Starhawk, and Mary Shelley. Among others. Link is here.

In the News.

SNOTTY SAVES THE DAY is now an audiobook, narrated by Last Word Audio’s mellifluous Colby Elliott. It launched May 10th, but for a limited time, you can listen for free with an Audible trial membership. So what are you waiting for? Start listening to the wonders of how Arcadia was born from the worst section of the worst neighborhood in the worst empire of all the worlds since the universe began.

In The News.

If you love audio books, don’t miss the new release of REPORT TO MEGALOPOLIS, by Tod Davies, narrated by Colby Elliott of Last Word Audio. The tortured Aspern Grayling tries to rise above the truth of his own story, fighting with reality every step of the way, and Colby’s voice is the perfect match for our modern day Dr. Frankenstein.

In The News.

Mike Madrid dishes on Miss Fury to the BBC . . .

Tod on the Importance of Visionary Fiction

Check out this video of “Beyond Utopia: The Importance of Fantasy,” Tod’s recent talk at the tenth World-Ecology Research Network Conference, June 2019, in San Francisco. She covers everything from Wind in the Willows to the work of Kim Stanley Robinson, with a look at The History of Arcadia along the way. As usual, she’s going on about how visionary fiction has an important place in the formation of a world we want and need to have.

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