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New York Times

On Pentel Pens, TINKERS, and the New York Times

April 30, 2010 by Exangel

There’s a lot to report, but the main thing that sticks out is the delivery–TODAY!–of a dozen Pentel black rolling writer pens from Staples. They don’t sell these in the stores anymore, and I’d been told they weren’t making them at all, but then, aha!…when trying to find another five dollar item to make my home delivery of padded envelopes come up to the free shipping total, I…gasp…discovered them on line.

Now you’re saying to yourself, “What on earth is she going on about?” But you don’t know what these pens mean to me. A lifetime of writing with these pens on reversed scrap paper clipped to scavenged clipboards. A smooth flow from the pen. An easy grip. A clear bold line.

The only pen. The one and only. The great love of my life, even beating out the sublime IBM Selectric typewriter.

The Selectric, alas, is now in honorable retirement in the attic, its golfball elements and spare ribbons staring mournfully out at me every time I go into the supplies cupboard. I learned to live without it. The world moves on, and we must move with it.

But moving onto gel pens was hard.  Damn hard. I find them uncomfortable to hold, and the line they give is so mingy. Unfriendly. Alienating.

I find myself writing less and less by hand. Which in a way makes me feel as if my hands are freezing up. As well as the cord that runs from my heart to my head and back down to my fingers. Sure, the beautiful wireless keyboard is a breeze to use. But it’s not the same. When you’re writing, especially those first drafts which are a kind of outpouring to a secret corner, or a favorite doll, that first lot of scratchings needs to be…more personal. This is the difference, as well, between a scribbled Filofax address book and a computer list. Somehow, when you look at a handwritten entry, you remember much more about the person it represents…and, perhaps more to the point here, about how you FEEL about them.

Forgive this paean to the pen. But when I woke up this morning, I thought: “They’re coming. They’re coming today!” And while I am normally a very happy person (if also very agitated, anxious, and alienated…but these things can all go together in the modern world, popular press notwithstanding), I was even happier at that thought.

I keep looking down the drive for the UPS van…

In other news:

First galley copies arrived of EAP’s fall books: Danbert Nobacon’s 3 DEAD PRINCES, and E. E. King’s DIRK QUIGBY’S GUIDE TO THE AFTERLIFE. Mike has done the most amazing job of design…and it doesn’t hurt that the Beloved Husband’s (aka Alex Cox’s) illustrations for 3 DEAD PRINCES are beyond praise. Check out the one illustrating this issue of EAP. He does have the knack of getting down to whatever creative job is at hand, I must say that, and totally objective, too. (I mean, he could be a great husband without being a terrific artist; it certainly helps me that he’s both, however.)

Now they all go flying out to try and find quotes to go on the cover. We’ve already got a spiffy one from RAY BRADBURY.  That’s right, you heard me, RAY BRADBURY. For DIRK QUIGBY. He says: “Impish and delightful—a Zagat’s guide to the Heavens!” Which I think pretty much sums up the book.

And then there was the Pulitzer that went to Paul Harding’s TINKERS.

You have to look at that one. That was one great piece of news. The first novel from an indie press (Bellevue Literary Press…fabulous) to win the Pulitzer in what? Six hundred years? And the New York Times blogged that they’d never gotten a copy of it.  Of course, the stunned publicist looked back over her correspondence and found that she’d sent TEN COPIES to the New York Times at various intervals, but probably they got mislaid, delivered to the wrong address, eaten by rats in the mail room, or stolen. Something like that. It couldn’t possibly be that the New York Times, busy as it is, lets independent presses drop off its radar, could it? Naw…

And Bellevue Literary Press is one of the Consortium Distribution family of publishers. Of which we are a proud, proud, proud, younger sister. And Consortium publishers scooped up not one, but TWO Pulitzers.

Well done all round, and gives all of us a warm fuzzy feeling before we hit the wireless keyboard with renewed enthusiasm for our work in your wake.

(Or, better yet, before we hit the clipboard with a brand new BLACK PENTEL ROLLING WRITER PEN.

Sigh.)

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In This Issue.

  • Who Was Dorothy?
  • Those Evil Spirits.
  • The Screaming Baboon.
  • Her.
  • A Tale of Persistence.
  • A Conversation with Steve Hugh Westenra.
  • Person Number Twelve.
  • Dream Shapes.
  • Cannon Beach.
  • The Muse.
  • Spring.
  • The Greatness that was Greece.
  • 1966, NYC; nothing like it.
  • Sun Shower.
  • The Withering Weight of Being Perceived.
  • Broken Clock.
  • Confession.
  • Francis Coppola’s Apocalypse.
  • Sometimes you die, I mean that people do.
  • True (from “My Life with Dogs”).
  • Fragmentary musings on birds and bees.
  • 12 Baking Essentials to Always Have in Your Poetry.
  • Broad Street.
  • A Death in Alexandria.
  • My Forked Tongue.
  • Swan Lake.
  • Long Division.
  • Singing against the muses.
  • Aphorisms from “What Remains to Be Said”.

In The News.

That cult classic pirate/sci fi mash up GREENBEARD, by Richard James Bentley, is now a rollicking audiobook, available from Audible.com. Narrated and acted by Colby Elliott of Last Word Audio, you’ll be overwhelmed by the riches and hilarity within.

“Captain Sylvestre de Greybagges is your typical seventeenth-century Cambridge-educated lawyer turned Caribbean pirate, as comfortable debating the virtues of William Shakespeare, Isaac Newton, and compound interest as he is wielding a cutlass, needling archrival Henry Morgan, and parsing rum-soaked gossip for his next target. When a pepper monger’s loose tongue lets out a rumor about a fleet loaded with silver, the Captain sets sail only to find himself in a close encounter of a very different kind.

After escaping with his sanity barely intact and his beard transformed an alarming bright green, Greybagges rallies The Ark de Triomphe crew for a revenge-fueled, thrill-a-minute adventure to the ends of the earth and beyond.

This frolicsome tale of skullduggery, jiggery-pokery, and chicanery upon Ye High Seas is brimming with hilarious puns, masterful historical allusions, and nonstop literary hijinks. Including sly references to Thomas Pynchon, Treasure Island, 1940s cinema, and notable historical figures, this mélange of delights will captivate readers with its rollicking adventure, rich descriptions of food and fashion, and learned asides into scientific, philosophical, and colonial history.”

THE SUPERGIRLS is back, revised and updated!

supergirls-take-1

In The News.

Newport Public Library hosted a three part Zoom series on Visionary Fiction, led by Tod.  

And we love them for it, too.

The first discussion was a lively blast. You can watch it here. The second, Looking Back to Look Forward can be seen here.

The third was the best of all. Visions of the Future, with a cast of characters including poets, audiobook artists, historians, Starhawk, and Mary Shelley. Among others. Link is here.

In the News.

SNOTTY SAVES THE DAY is now an audiobook, narrated by Last Word Audio’s mellifluous Colby Elliott. It launched May 10th, but for a limited time, you can listen for free with an Audible trial membership. So what are you waiting for? Start listening to the wonders of how Arcadia was born from the worst section of the worst neighborhood in the worst empire of all the worlds since the universe began.

In The News.

If you love audio books, don’t miss the new release of REPORT TO MEGALOPOLIS, by Tod Davies, narrated by Colby Elliott of Last Word Audio. The tortured Aspern Grayling tries to rise above the truth of his own story, fighting with reality every step of the way, and Colby’s voice is the perfect match for our modern day Dr. Frankenstein.

In The News.

Mike Madrid dishes on Miss Fury to the BBC . . .

Tod on the Importance of Visionary Fiction

Check out this video of “Beyond Utopia: The Importance of Fantasy,” Tod’s recent talk at the tenth World-Ecology Research Network Conference, June 2019, in San Francisco. She covers everything from Wind in the Willows to the work of Kim Stanley Robinson, with a look at The History of Arcadia along the way. As usual, she’s going on about how visionary fiction has an important place in the formation of a world we want and need to have.

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