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scalloped oysters

Personal Autonomy and Potatoes Anna

January 1, 2012 by Exangel

As always (and it really doesn’t matter what I’m doing, this is what I’m constantly meditating on), I was thinking about how growing personal autonomy is the only possible response to a world out of whack; if we don’t know who we are, how can we know how to work with our world? And there I was getting ready to cook Christmas dinner, which was to be (if you’re as interested as I am in what other people eat) green salad with celery and aioli/lemon dressing, roast duck, scalloped oysters, Potatoes Anna, and See’s chocolates.

I scoured my cookbooks for a scalloped oyster recipe I remembered as being heavenly: all bread crumbs (no crackers), minced green onions, garlic, parsley, with cream on top. But I couldn’t find it. Not in Julia Child. Not in James Beard. Not in James Vilas. Not anywhere. There were recipes with just bread crumbs. There were recipes that used green onions. But none fit the bill precisely, and I knew for sure somewhere in that bookcase was a recipe that fit the bill precisely.

You probably know the end of that story. Yep. Finally I thought to look in my own cookbook, in JAM TODAY, and there it was, the best scalloped oyster recipe ever.

That made me laugh.

It also set me off on another train of thought, while I was throwing together my own version of Potatoes Anna. I thought about why I’d written JAM TODAY in the first place–not to write a cookbook, but to kind of join together sides of life that get artificially separated: as if what you eat every day doesn’t have to do with who you are and where you fit in your world. I really wrote it to support the idea that everyone should be looking at what they’re doing (not at what everyone else is doing), and use that as a tool to understand more fully who they are and who they want to be. Because I really think that’s the only way the individual can be effective in the world, in helping move the world out of its present dead end.

So I know you’re saying, what the hell does this have to do with Potatoes Anna? And of course you have a point. So I’ll try get to that, I swear.

The way I made those oysters tells me a lot about myself. It tells me I don’t particularly like to fuss, but I like to eat. It tells me I don’t have crackers in the house, normally, and I don’t like to buy ingredients just for one special dish. It tells me…oh, it tells me more stuff than that.

And my Potatoes Anna recipe, at least the one I slapped together for Christmas dinner, tells me pretty much the same thing.

Potatoes Anna, in case you missed hearing about her before, is this wonderful dish of a kind of potato cake, crusty on the outside, melting on the inside, cooked in the oven with so much butter you could have cardiac arrest just preparing it (although you pour most of the butter off later and use it again, which is the kind of thing I’m always attracted to).

Now, if you want the most perfect potato dish ever, I recommend you follow Julia Child’s recipe in Mastering the Art of French Cooking. Like every one of her recipes I’ve tried, if you follow ever step precisely, you’ll have a most wonderful tasting dish.

But me, I can usually only do that following the fiddly recipe precisely thing once. After that, it’s a free for all. And my basic plan is: make something that fits with the rest of my life (not yanking it in another direction through its complexity), and that is going to taste really good. It doesn’t have to taste haute. It just has to taste good. And like it was made with love.

So here is my Potatoes Anna recipe for two, which really did fit that bill.

Take two russet potatoes (which is the kind of potato I usually already have in the house). Clarify a stick of butter (which means heat at low heat, skim off the solids on top, pour the clear butter away from the curds left at the bottom…voila!)–although you can skip this step and just use a melted stick of butter if you want; the result won’t be as perfect, but so what?

Take a small cast iron pan (mine is about six inches across and just the right size for a two potato Potatoes Anna)…or a small heavy ovenproof/stovetop proof skillet or dish…

Peel the first potato. Slice it thinly (I just sliced these on the side of a box grater). Heat a little clarified butter, in low heat, in the pan on top of the stove. Arrange the slices in a layer on the butter. (You’re going to turn the cake over when it’s done, so this is what will show.) Sprinkle more butter, salt and pepper, arrange another layer. Repeat until the potato is used up. Then peel the other potato and slice, and add to the skillet in the same way. Finish by pouring what’s left of the butter on top, and press the whole thing down with a spatula to get it level. Shake the pan and run the spatula underneath to unstick any sticking taters. (It doesn’t matter if it does stick, it’ll still taste good. And I don’t fuss too much over how things look, as long as they work. I mean, you should see my car.)

Stick the pan in a 400 degree oven and bake for 30 to 45 minutes, till the bottom is all crusty and brown, and the interior potatoes all tender.

Take out of the oven, Pour the excess butter into another dish to use for something else (maybe another round of Potatoes Anna). Unmold the cake on a plate. Cut into wedges, or halves, and serve.

Aahh.

For more people, just use twice the amount of potatoes and butter, and use an 8 inch cast iron pan.

This combines two qualities I find I admire when they’re in close conjunction, in no matter what the arena: practicality and festivity. And if you can manage to be both practical and festive in your own arena, I’d have to say you’re doing about the best of anyone around.

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In The News.

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“Captain Sylvestre de Greybagges is your typical seventeenth-century Cambridge-educated lawyer turned Caribbean pirate, as comfortable debating the virtues of William Shakespeare, Isaac Newton, and compound interest as he is wielding a cutlass, needling archrival Henry Morgan, and parsing rum-soaked gossip for his next target. When a pepper monger’s loose tongue lets out a rumor about a fleet loaded with silver, the Captain sets sail only to find himself in a close encounter of a very different kind.

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This frolicsome tale of skullduggery, jiggery-pokery, and chicanery upon Ye High Seas is brimming with hilarious puns, masterful historical allusions, and nonstop literary hijinks. Including sly references to Thomas Pynchon, Treasure Island, 1940s cinema, and notable historical figures, this mélange of delights will captivate readers with its rollicking adventure, rich descriptions of food and fashion, and learned asides into scientific, philosophical, and colonial history.”

THE SUPERGIRLS is back, revised and updated!

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And we love them for it, too.

The first discussion was a lively blast. You can watch it here. The second, Looking Back to Look Forward can be seen here.

The third was the best of all. Visions of the Future, with a cast of characters including poets, audiobook artists, historians, Starhawk, and Mary Shelley. Among others. Link is here.

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SNOTTY SAVES THE DAY is now an audiobook, narrated by Last Word Audio’s mellifluous Colby Elliott. It launched May 10th, but for a limited time, you can listen for free with an Audible trial membership. So what are you waiting for? Start listening to the wonders of how Arcadia was born from the worst section of the worst neighborhood in the worst empire of all the worlds since the universe began.

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If you love audio books, don’t miss the new release of REPORT TO MEGALOPOLIS, by Tod Davies, narrated by Colby Elliott of Last Word Audio. The tortured Aspern Grayling tries to rise above the truth of his own story, fighting with reality every step of the way, and Colby’s voice is the perfect match for our modern day Dr. Frankenstein.

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Tod on the Importance of Visionary Fiction

Check out this video of “Beyond Utopia: The Importance of Fantasy,” Tod’s recent talk at the tenth World-Ecology Research Network Conference, June 2019, in San Francisco. She covers everything from Wind in the Willows to the work of Kim Stanley Robinson, with a look at The History of Arcadia along the way. As usual, she’s going on about how visionary fiction has an important place in the formation of a world we want and need to have.

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