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Testing for Wisdom, Not Praying for a Messiah.

March 31, 2016 by Exangel

by David D. Horowitz.

“I’m lost. I don’t know where to start. I can’t write this essay. And it’s due in two days!”

Often I heard this refrain when over two decades ago I tutored English at Seattle Central Community College. Many English 098 and 101 students would sign up for help, stressed and dispirited but with just enough hope and much fear of failing. And, after an initial greeting and calming minute, we’d get down to business.

“Can you give me,” I’d ask, “one word that describes what you want this essay to be about? One word. That’s it.” And I’d wait. And wait.

“Courage. Or maybe difficulty.”

“Why ‘courage’?”

“Because we were so afraid. It was so difficult.”

“What was ‘difficult’?

“Escaping Vietnam and making a new life in America.”

“What were, or are, some of these difficulties?”

“Escaping while we were shot at—at the beach in the middle of the night as we ran to the boat. Then we were afraid of being caught at sea by patrol boats. And we had little food, and we’d heard rumors cannibalism had occurred before in these situations. And then, if we arrived, learning English, getting a job, making enough money to live, being accepted as citizens.”

“You know what? You just stated the basis for your entire essay!”

“Really?”

“Yes, really. How about this for a thesis: escaping Vietnam was difficult for me and my family, and living in the United States has posed serious challenges, but we’re coping well and learning how to succeed here.”

“Yes, that’s what I want to say.”

“Then say it! Yes, right in your opening paragraph. And then you could focus each successive paragraph on a particular difficulty or story that illustrates it. And you might conclude with an anecdote that reflects hope and gratitude.”

The students would often look at me dumbfounded, as if to suggest: you mean that’s how simple writing this essay will be, and why didn’t I think of that?

Teaching is the best way to learn, and tutoring these students helped me appreciate precision and concision. Ask the fundamental questions, and focus, if necessary, on articulating a single word that signifies an essay’s core thesis.

As a citizen and voter, I can apply this principle when analyzing issues. To me, no contemporary issues are more central than the Middle East conflicts. How can we achieve lasting, just peace in that region? How can we defuse religious disputes that feed that region’s political and military conflicts? How many people there would consider modifying their religious perspectives—for example, de-emphasizing “holy books” featuring a Messiah or presumed prophets of God?

Oh, and I have other several other essential questions to ask. How can we humanely limit world population growth? How can we slow or stop global warming? How can we defuse racial tension in the United States and elsewhere, without resorting to the too-frequent, too-easy blaming that accompanies most discussions about doing so? Is traditional monogamy a realistic model for coupling when people often live to be eighty, ninety, ninety-five? Isn’t it time to more fully discuss the positive value of open marriage and polyamory without demonizing their advocates? These are not easy questions. They are essential, though, and I work every day, little by little, to articulate tentative answers to them. Let me stress “tentative” here. I’m just now articulating some of these questions. Finding credible answers will take much more time and effort—and a lot of listening. And to answer any of these questions, a single word might help guide us, but it won’t constitute a credible answer.

That said, one word comes to mind as a good starting point: honesty. And “honesty” entails two others: “courage” and “difficulty.”

Filed Under: Damn It?, EAP: The Magazine, Spring 2016: What's the Question

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In This Issue.

  • Who Was Dorothy?
  • Those Evil Spirits.
  • The Screaming Baboon.
  • Her.
  • A Tale of Persistence.
  • A Conversation with Steve Hugh Westenra.
  • Person Number Twelve.
  • Dream Shapes.
  • Cannon Beach.
  • The Muse.
  • Spring.
  • The Greatness that was Greece.
  • 1966, NYC; nothing like it.
  • Sun Shower.
  • The Withering Weight of Being Perceived.
  • Broken Clock.
  • Confession.
  • Francis Coppola’s Apocalypse.
  • Sometimes you die, I mean that people do.
  • True (from “My Life with Dogs”).
  • Fragmentary musings on birds and bees.
  • 12 Baking Essentials to Always Have in Your Poetry.
  • Broad Street.
  • A Death in Alexandria.
  • My Forked Tongue.
  • Swan Lake.
  • Long Division.
  • Singing against the muses.
  • Aphorisms from “What Remains to Be Said”.

In The News.

That cult classic pirate/sci fi mash up GREENBEARD, by Richard James Bentley, is now a rollicking audiobook, available from Audible.com. Narrated and acted by Colby Elliott of Last Word Audio, you’ll be overwhelmed by the riches and hilarity within.

“Captain Sylvestre de Greybagges is your typical seventeenth-century Cambridge-educated lawyer turned Caribbean pirate, as comfortable debating the virtues of William Shakespeare, Isaac Newton, and compound interest as he is wielding a cutlass, needling archrival Henry Morgan, and parsing rum-soaked gossip for his next target. When a pepper monger’s loose tongue lets out a rumor about a fleet loaded with silver, the Captain sets sail only to find himself in a close encounter of a very different kind.

After escaping with his sanity barely intact and his beard transformed an alarming bright green, Greybagges rallies The Ark de Triomphe crew for a revenge-fueled, thrill-a-minute adventure to the ends of the earth and beyond.

This frolicsome tale of skullduggery, jiggery-pokery, and chicanery upon Ye High Seas is brimming with hilarious puns, masterful historical allusions, and nonstop literary hijinks. Including sly references to Thomas Pynchon, Treasure Island, 1940s cinema, and notable historical figures, this mélange of delights will captivate readers with its rollicking adventure, rich descriptions of food and fashion, and learned asides into scientific, philosophical, and colonial history.”

THE SUPERGIRLS is back, revised and updated!

supergirls-take-1

In The News.

Newport Public Library hosted a three part Zoom series on Visionary Fiction, led by Tod.  

And we love them for it, too.

The first discussion was a lively blast. You can watch it here. The second, Looking Back to Look Forward can be seen here.

The third was the best of all. Visions of the Future, with a cast of characters including poets, audiobook artists, historians, Starhawk, and Mary Shelley. Among others. Link is here.

In the News.

SNOTTY SAVES THE DAY is now an audiobook, narrated by Last Word Audio’s mellifluous Colby Elliott. It launched May 10th, but for a limited time, you can listen for free with an Audible trial membership. So what are you waiting for? Start listening to the wonders of how Arcadia was born from the worst section of the worst neighborhood in the worst empire of all the worlds since the universe began.

In The News.

If you love audio books, don’t miss the new release of REPORT TO MEGALOPOLIS, by Tod Davies, narrated by Colby Elliott of Last Word Audio. The tortured Aspern Grayling tries to rise above the truth of his own story, fighting with reality every step of the way, and Colby’s voice is the perfect match for our modern day Dr. Frankenstein.

In The News.

Mike Madrid dishes on Miss Fury to the BBC . . .

Tod on the Importance of Visionary Fiction

Check out this video of “Beyond Utopia: The Importance of Fantasy,” Tod’s recent talk at the tenth World-Ecology Research Network Conference, June 2019, in San Francisco. She covers everything from Wind in the Willows to the work of Kim Stanley Robinson, with a look at The History of Arcadia along the way. As usual, she’s going on about how visionary fiction has an important place in the formation of a world we want and need to have.

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