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The Great and Powerful Oz (Not).

September 1, 2009 by Exangel

I think a lot about the scene in the Wizard of Oz where the WIzard’s voice booms out, “I am the Great and Powerful OZ!” And then, when Toto pushes the curtain aside and shows the shamefaced carny who’s running the apparatus, booms, “Pay NO attention to the Man Behind the Curtain!” It always makes me laugh. And I always think, giggling a little, that really we could have called EAP, as an alternative, The Man Behind the Curtain Press.

I mean, the main point is of course to get ideas out there. A particular kind of idea, of course…or ideas.  Ideas on how an individual, just one person, can confront all of the looming problems in the world around us without either getting mowed down–without giving up her/his individual pleasure in life–or cowed into denial and servile acceptance “because that’s just the way it is, I can’t change it.”  But I think it’s also part of the point to show that any individual, keeping his/her head down, and determined to both enjoy life and push it in the right direction at the same time, can do that. It’s open to everyone. It’s part of every day life. And don’t let the Man Behind the Curtain fool you into thinking it can only be done by a big booming voice coming from a loudspeaker hidden somewhere in the room.

Now ideas are the reason books are made.  Or they should be the reason, anyway, in the same way that it should be the reason that goods are made that they fill a need, and not just somebody’s bank account. So you can start very small. You can start at home. It can be part of your everyday life, and I’m arguing that it should be–ideas, I mean.  Your ideas, my ideas, then they get exchanged, they turn into a third idea and they launch out into the world.

This is an everyday process, which somehow has gotten taken over by the ‘experts’. Mainly because we let them. Mainly because of a lack of confidence, a lack of autonomy, on our own part…a terror that our own opinion would be scorned, would be wrong, would be…set aside as not as grand as those others. Mainly because we actually believe that voice when it insists it’s the Great and Powerful Oz.

We let ourselves get mystified. And that’s the first place we can start in making our world a better place.  We can refuse the mystification. We can insist on seeing the Man Behind the Curtain.

All of this! Just because I’ve been wrestling all week with admin problems coming out of publishing books. Printing issues. Proofing issues. Sales to foreign countries issues. And, of all things, liquor license issues. I mean, it turns out it’s quite difficult just to serve a little bit of wine to some friends to celebrate a book. At least, if that celebration is in public. And my wrestling with that little issue, as I meditated on it and looked at first that way to solve it, then rejected it to look at another way, I started to get that picture of the poor Wizard fruitlessly pulling levers in my head; it just kept floating through. And I realized as I wondered why that image, that, of course, one of the ways that we mystify the process of getting ideas out there is we mystify the whole production process, and the whole sharing with the world process (the former we mystify by pretending the ideas just got out by themselves by sheer strength of truth–the powerful use this one a lot to hide the monoculture of ideas it’s to their benefit to enforce, I notice–or we mystify the latter by calling it ‘marketing and publicity’ and relegating THAT to the experts again), instead of just making plain what happens along the way. And that this, in fact, doesn’t do the mystifiers any more good than it does us.  I mean, when was the Wizard happier, when he was terrifying the Emerald City, or when he was hanging out at the end with Dorothy and telling her his whole story?

In a way, the entire media business in this country, at least the large, formal, entrenched, monopolistic media that most people see as the whole iceberg, is run as if by the Great and Powerful Oz, the Man Behind the Curtain, with no real story showing at all.  Real story showing being considered unprofessional, somehow…not done. I don’t think this is healthy. I think that curtain’s got to go. And I think one way that curtain can get tweaked is by as many people as possible taking over the means of production themselves…and the means of distribution, too.  And along the way, being quite clear about how the process really happens, and what’s really going on.

Filed Under: Todblog

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In This Issue.

  • Who Was Dorothy?
  • Those Evil Spirits.
  • The Screaming Baboon.
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  • A Tale of Persistence.
  • A Conversation with Steve Hugh Westenra.
  • Person Number Twelve.
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  • 12 Baking Essentials to Always Have in Your Poetry.
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  • Singing against the muses.
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In The News.

That cult classic pirate/sci fi mash up GREENBEARD, by Richard James Bentley, is now a rollicking audiobook, available from Audible.com. Narrated and acted by Colby Elliott of Last Word Audio, you’ll be overwhelmed by the riches and hilarity within.

“Captain Sylvestre de Greybagges is your typical seventeenth-century Cambridge-educated lawyer turned Caribbean pirate, as comfortable debating the virtues of William Shakespeare, Isaac Newton, and compound interest as he is wielding a cutlass, needling archrival Henry Morgan, and parsing rum-soaked gossip for his next target. When a pepper monger’s loose tongue lets out a rumor about a fleet loaded with silver, the Captain sets sail only to find himself in a close encounter of a very different kind.

After escaping with his sanity barely intact and his beard transformed an alarming bright green, Greybagges rallies The Ark de Triomphe crew for a revenge-fueled, thrill-a-minute adventure to the ends of the earth and beyond.

This frolicsome tale of skullduggery, jiggery-pokery, and chicanery upon Ye High Seas is brimming with hilarious puns, masterful historical allusions, and nonstop literary hijinks. Including sly references to Thomas Pynchon, Treasure Island, 1940s cinema, and notable historical figures, this mélange of delights will captivate readers with its rollicking adventure, rich descriptions of food and fashion, and learned asides into scientific, philosophical, and colonial history.”

THE SUPERGIRLS is back, revised and updated!

supergirls-take-1

In The News.

Newport Public Library hosted a three part Zoom series on Visionary Fiction, led by Tod.  

And we love them for it, too.

The first discussion was a lively blast. You can watch it here. The second, Looking Back to Look Forward can be seen here.

The third was the best of all. Visions of the Future, with a cast of characters including poets, audiobook artists, historians, Starhawk, and Mary Shelley. Among others. Link is here.

In the News.

SNOTTY SAVES THE DAY is now an audiobook, narrated by Last Word Audio’s mellifluous Colby Elliott. It launched May 10th, but for a limited time, you can listen for free with an Audible trial membership. So what are you waiting for? Start listening to the wonders of how Arcadia was born from the worst section of the worst neighborhood in the worst empire of all the worlds since the universe began.

In The News.

If you love audio books, don’t miss the new release of REPORT TO MEGALOPOLIS, by Tod Davies, narrated by Colby Elliott of Last Word Audio. The tortured Aspern Grayling tries to rise above the truth of his own story, fighting with reality every step of the way, and Colby’s voice is the perfect match for our modern day Dr. Frankenstein.

In The News.

Mike Madrid dishes on Miss Fury to the BBC . . .

Tod on the Importance of Visionary Fiction

Check out this video of “Beyond Utopia: The Importance of Fantasy,” Tod’s recent talk at the tenth World-Ecology Research Network Conference, June 2019, in San Francisco. She covers everything from Wind in the Willows to the work of Kim Stanley Robinson, with a look at The History of Arcadia along the way. As usual, she’s going on about how visionary fiction has an important place in the formation of a world we want and need to have.

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