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The Year of No Emperors.

January 4, 2021 by Exangel

by David D. Horowitz.

An ancient Roman emperor typically fancied himself divine and expected to be declared an actual god (“divus”) upon his death. As a god, or proto-god, an emperor could enjoy fantastic luxury—access to a harem of three hundred beautiful women and some young boys, if that was his preferred taste; feasts featuring rare delicacies from around the empire, such as ostrich meat and flamingo tongues; triumphal marches and finely decorated arches in his honor; and wealth to fund construction of vast urban palaces and pastoral retreats. Many emperors insisted they be addressed via hyperbolic honorifics (e.g., “master and god”), and they were obliged. And being divine an emperor was expected to deliver decisive military victories and their rich bounty.

But if he failed to produce such victories, and if jealous relatives, aristocratic rivals, members of the Praetorian guard, and popular generals felt misused or undervalued, the emperor might have to fight rebellious opposition and, indeed, might be murdered. Terms commonly accepted by contemporary historians of Ancient Rome include “the year of four emperors” (69 A.D.) and “the year of six emperors” (238 A.D.). Such terms merely hint at the bloody battles fought for the prestigious imperial title. For imperial Rome never established a peaceable, legally binding protocol of succession. The first emperor, Augustus, might temper potential resentment by using the term “princeps” to imply partnering guidance rather than dominance, and some emperors—particularly the five emperors who ruled from 96 to 180 A.D—were capable, learned, and comparatively humane. But many others—Caligula, Commodus, Caracalla, and Decius come to mind—engaged in some of history’s most murderous purges and persecutions. Such was their power. And they could not be voted from office.

Rome’s god-emperors’ hubris yielded horrific errors of judgment. Many mistook luck for divine sanction and power for excellence. And these traits are not limited to Ancient Rome. Many a leader has fancied himself or herself a divinity with the prerogative to have others harassed, defamed, or killed at the snap of a finger.

So, contrarian as I sometimes am, I refuse to parrot currently fashionable denunciations of the United States’ founders and first constitutionalists. Yes, they could be fiercely contentious with each other. And, yes, their slave-owning deserves to be condemned, and the full range of their motivations—including desire for inordinate personal wealth—should be taught and publicized. But so should their assertion that rulers must respect citizens’ basic rights. Separation of church and state; separation of powers; a system of checks and balances; the rule of law, not men; freedom of the press: we take these principles for granted, as if every country has and abides by them. President Trump, and his repulsive suggestion that he might not yield power even if he loses the 2020 presidential election, inadvertently reminds us to cherish the founders’ principles more than ever. Yes, America’s founders were seriously flawed—but at least they knew they were flawed and didn’t pretend to be gods. They sought to create a system in which we wouldn’t have a year of six emperors, but, rather, peaceable elections to resolve disputes about succession.

This past year I have seen and heard a steady stream of commentary from protesters and cultural figures reductively denouncing the United States’ founders as racists, murderers, and thieves. The founders were flawed human beings, yes, and pious white-washings of our country’s history should be junked. But we should concurrently appreciate how revolutionary and necessary and still-relevant many of our founders’ principles still are. For emperor-wannabe and god-aspirant Donald Trump is largely held in check by the United States constitution. He might fancy himself the ultimate patriot, but this country’s founders rejected Trump’s sort of arrogance and delusion.

America’s founders were not gods—and they knew it.

Filed Under: EAP: The Magazine, Winter 2021: Errors of the Gods

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In This Issue.

  • Who Was Dorothy?
  • Those Evil Spirits.
  • The Screaming Baboon.
  • Her.
  • A Tale of Persistence.
  • A Conversation with Steve Hugh Westenra.
  • Person Number Twelve.
  • Dream Shapes.
  • Cannon Beach.
  • The Muse.
  • Spring.
  • The Greatness that was Greece.
  • 1966, NYC; nothing like it.
  • Sun Shower.
  • The Withering Weight of Being Perceived.
  • Broken Clock.
  • Confession.
  • Francis Coppola’s Apocalypse.
  • Sometimes you die, I mean that people do.
  • True (from “My Life with Dogs”).
  • Fragmentary musings on birds and bees.
  • 12 Baking Essentials to Always Have in Your Poetry.
  • Broad Street.
  • A Death in Alexandria.
  • My Forked Tongue.
  • Swan Lake.
  • Long Division.
  • Singing against the muses.
  • Aphorisms from “What Remains to Be Said”.

In The News.

That cult classic pirate/sci fi mash up GREENBEARD, by Richard James Bentley, is now a rollicking audiobook, available from Audible.com. Narrated and acted by Colby Elliott of Last Word Audio, you’ll be overwhelmed by the riches and hilarity within.

“Captain Sylvestre de Greybagges is your typical seventeenth-century Cambridge-educated lawyer turned Caribbean pirate, as comfortable debating the virtues of William Shakespeare, Isaac Newton, and compound interest as he is wielding a cutlass, needling archrival Henry Morgan, and parsing rum-soaked gossip for his next target. When a pepper monger’s loose tongue lets out a rumor about a fleet loaded with silver, the Captain sets sail only to find himself in a close encounter of a very different kind.

After escaping with his sanity barely intact and his beard transformed an alarming bright green, Greybagges rallies The Ark de Triomphe crew for a revenge-fueled, thrill-a-minute adventure to the ends of the earth and beyond.

This frolicsome tale of skullduggery, jiggery-pokery, and chicanery upon Ye High Seas is brimming with hilarious puns, masterful historical allusions, and nonstop literary hijinks. Including sly references to Thomas Pynchon, Treasure Island, 1940s cinema, and notable historical figures, this mélange of delights will captivate readers with its rollicking adventure, rich descriptions of food and fashion, and learned asides into scientific, philosophical, and colonial history.”

THE SUPERGIRLS is back, revised and updated!

supergirls-take-1

In The News.

Newport Public Library hosted a three part Zoom series on Visionary Fiction, led by Tod.  

And we love them for it, too.

The first discussion was a lively blast. You can watch it here. The second, Looking Back to Look Forward can be seen here.

The third was the best of all. Visions of the Future, with a cast of characters including poets, audiobook artists, historians, Starhawk, and Mary Shelley. Among others. Link is here.

In the News.

SNOTTY SAVES THE DAY is now an audiobook, narrated by Last Word Audio’s mellifluous Colby Elliott. It launched May 10th, but for a limited time, you can listen for free with an Audible trial membership. So what are you waiting for? Start listening to the wonders of how Arcadia was born from the worst section of the worst neighborhood in the worst empire of all the worlds since the universe began.

In The News.

If you love audio books, don’t miss the new release of REPORT TO MEGALOPOLIS, by Tod Davies, narrated by Colby Elliott of Last Word Audio. The tortured Aspern Grayling tries to rise above the truth of his own story, fighting with reality every step of the way, and Colby’s voice is the perfect match for our modern day Dr. Frankenstein.

In The News.

Mike Madrid dishes on Miss Fury to the BBC . . .

Tod on the Importance of Visionary Fiction

Check out this video of “Beyond Utopia: The Importance of Fantasy,” Tod’s recent talk at the tenth World-Ecology Research Network Conference, June 2019, in San Francisco. She covers everything from Wind in the Willows to the work of Kim Stanley Robinson, with a look at The History of Arcadia along the way. As usual, she’s going on about how visionary fiction has an important place in the formation of a world we want and need to have.

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