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Why We Don’t Have a ‘Submissions Policy’

January 16, 2013 by Exangel

I get a lot of emails that start something like this, “I’ve looked all over your website, but I can’t find your submission guidelines.” And I usually email back something like, “Well, that’s because we don’t have any. We don’t have guidelines, and we tend not to call them ‘submissions’, since we think of them more along the lines as contributions. So why don’t you just send me something you like that you’ve written, and I can tell you if we’re the right place for you or not.”

(We can do that right now, being so small. Who knows how long that will last? There is, after all, only so much time in a day, and everyone everywhere has their own limits. So I also ask that possible contributors to the magazine be patient when I reach mine.)

Now this is only for  “EAP: The Magazine”–EAP books are something else again. For one thing, our publishing program is full up for the next couple of years–yes, indeed, that’s how long it takes to get books out there into the world. But also, we need to get to know our writers before we settle down to work seriously with them, and that takes real time and commitment.  We’re a small outfit, and we’re in this for the joy of it, which is a damn good thing, because it doesn’t pay in much else. We don’t look at work that comes in and say, “Eureka! A genius! Rush it to press!” That doesn’t work for us, for a few really good reasons. The main one is that what we love and cherish are hard workers who are also hard headed and realistic about what has to be done to get work–any kind of work–heard. Those people are rare. And that kind of realism develops with a relationship.

Of course, as in any area of life, you can only develop real relationships with a very few people. And each one of those takes its own kind of nurturing. And time. Lots of time.

What we’re not interested in is ‘discovering’ the next genius. We don’t think that genius thing has been too terribly fruitful for the culture at large. Not to mention for the discovered geniuses themselves. Just look at the record. Also, anyone who thinks they are a genius tends to be an incredible pain in the ass to work with. Fact.

So we don’t have submissions guidelines. We’re perfectly happy to receive any kind of courteous, direct, short and to the point communication about anyone’s work, as long as it seeks to find people of like mind, and not people who will help get it rich and famous. Anyone who thinks they’re going to get rich and famous with their books needs to immediately stop wasting their time on this website and click on somewhere else. I’d suggest Time Warner. Or similar. Though I think even Time Warner may have realized they’re not going to get rich with books either.

Filed Under: Todblog, Uncategorized

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In This Issue.

  • Who Was Dorothy?
  • Those Evil Spirits.
  • The Screaming Baboon.
  • Her.
  • A Tale of Persistence.
  • A Conversation with Steve Hugh Westenra.
  • Person Number Twelve.
  • Dream Shapes.
  • Cannon Beach.
  • The Muse.
  • Spring.
  • The Greatness that was Greece.
  • 1966, NYC; nothing like it.
  • Sun Shower.
  • The Withering Weight of Being Perceived.
  • Broken Clock.
  • Confession.
  • Francis Coppola’s Apocalypse.
  • Sometimes you die, I mean that people do.
  • True (from “My Life with Dogs”).
  • Fragmentary musings on birds and bees.
  • 12 Baking Essentials to Always Have in Your Poetry.
  • Broad Street.
  • A Death in Alexandria.
  • My Forked Tongue.
  • Swan Lake.
  • Long Division.
  • Singing against the muses.
  • Aphorisms from “What Remains to Be Said”.

In The News.

That cult classic pirate/sci fi mash up GREENBEARD, by Richard James Bentley, is now a rollicking audiobook, available from Audible.com. Narrated and acted by Colby Elliott of Last Word Audio, you’ll be overwhelmed by the riches and hilarity within.

“Captain Sylvestre de Greybagges is your typical seventeenth-century Cambridge-educated lawyer turned Caribbean pirate, as comfortable debating the virtues of William Shakespeare, Isaac Newton, and compound interest as he is wielding a cutlass, needling archrival Henry Morgan, and parsing rum-soaked gossip for his next target. When a pepper monger’s loose tongue lets out a rumor about a fleet loaded with silver, the Captain sets sail only to find himself in a close encounter of a very different kind.

After escaping with his sanity barely intact and his beard transformed an alarming bright green, Greybagges rallies The Ark de Triomphe crew for a revenge-fueled, thrill-a-minute adventure to the ends of the earth and beyond.

This frolicsome tale of skullduggery, jiggery-pokery, and chicanery upon Ye High Seas is brimming with hilarious puns, masterful historical allusions, and nonstop literary hijinks. Including sly references to Thomas Pynchon, Treasure Island, 1940s cinema, and notable historical figures, this mélange of delights will captivate readers with its rollicking adventure, rich descriptions of food and fashion, and learned asides into scientific, philosophical, and colonial history.”

THE SUPERGIRLS is back, revised and updated!

supergirls-take-1

In The News.

Newport Public Library hosted a three part Zoom series on Visionary Fiction, led by Tod.  

And we love them for it, too.

The first discussion was a lively blast. You can watch it here. The second, Looking Back to Look Forward can be seen here.

The third was the best of all. Visions of the Future, with a cast of characters including poets, audiobook artists, historians, Starhawk, and Mary Shelley. Among others. Link is here.

In the News.

SNOTTY SAVES THE DAY is now an audiobook, narrated by Last Word Audio’s mellifluous Colby Elliott. It launched May 10th, but for a limited time, you can listen for free with an Audible trial membership. So what are you waiting for? Start listening to the wonders of how Arcadia was born from the worst section of the worst neighborhood in the worst empire of all the worlds since the universe began.

In The News.

If you love audio books, don’t miss the new release of REPORT TO MEGALOPOLIS, by Tod Davies, narrated by Colby Elliott of Last Word Audio. The tortured Aspern Grayling tries to rise above the truth of his own story, fighting with reality every step of the way, and Colby’s voice is the perfect match for our modern day Dr. Frankenstein.

In The News.

Mike Madrid dishes on Miss Fury to the BBC . . .

Tod on the Importance of Visionary Fiction

Check out this video of “Beyond Utopia: The Importance of Fantasy,” Tod’s recent talk at the tenth World-Ecology Research Network Conference, June 2019, in San Francisco. She covers everything from Wind in the Willows to the work of Kim Stanley Robinson, with a look at The History of Arcadia along the way. As usual, she’s going on about how visionary fiction has an important place in the formation of a world we want and need to have.

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