IN THIS ISSUE #15. Border crossings... EAP’s got a new music editor, and for his first trip out, he interviews a border crossing group -- MAX VERNON has A TALK WITH THE TRACHTENBURG FAMILY SLIDE SHOW ...MIKE MADRID lists his SOCIAL OUTCAST TOP TEN ... ALICE NUTTER, a founding member of the anarchist punk rock group Chumbawamba … [Read more...] about IN THIS ISSUE #15.
Misc EAP Writings...
IN THIS ISSUE #14.
IN THIS ISSUE #14. The EAP dinner party goes smart casual. The discussion gets serious, and the younger writers weigh in -- SEAN WATKIN on what it's like to be young and gay in the European Capital of Culture 2008: QUEERPOOL: A CULTURED CAPITAL ...Then CHLOE HANSEN loves black metal music, but gives it a sharp eyed look in A FAN DISSECTS … [Read more...] about IN THIS ISSUE #14.
IN THIS ISSUE #11
IN THIS ISSUE #11. Everyone hates being in a Box... DISABLED DREAMING by Sue Cullen ...in which Sue describes being in the ‘Handicapped’ Box...TAKING CHARGE OF THE CHANGE #7 by Lauren Randolph ...in which Lauren is aghast to be put in the ‘Retirement’ Box...RULES FOR GIRLS (NOT), a Letter from Los Angeles by Linda Sandoval ...in which Linda … [Read more...] about IN THIS ISSUE #11
Why Adapt THE SPANISH TRAGEDY?
by Tod Davies Thomas Kyd wrote THE SPANISH TRAGEDY sometime in the late 1500’s, in an Elizabethan London that was busy reinventing English culture. The legitimate and regionally oriented Plantagenets had been defeated by the bastard Henry VII (bastard on both sides of the family, literally, mum and dad), who quickly moved to establish … [Read more...] about Why Adapt THE SPANISH TRAGEDY?