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Why I Write about Dreams and Dogs (from “My Life with Dogs”).

June 28, 2026 by Exangel

by Tod Davies.

When I was a very small child, I heard voices. They would sound directly in my ear. I knew they were inside, rather than outside, but that didn’t trouble me, as I understood they were helpful. The voices warned me not to tell the adults. They said my parents, especially, wouldn’t understand, that I’d be put in a hospital. I’d been in a hospital to have my tonsils out, and I knew I didn’t want to go back to one if I could help it. So I listened to the warning.

Not that I always did what the voices said, though I always regretted it when I didn’t. But the culture I’d been born into was so unforgiving. Often the voices argued for me to act in a way I was told was wrong by my parents or others, even by stories on the television set, in the newspaper, in magazines my mother picked up in the grocery store. For example, the voices insisted I not be left alone with my uncle Bud. He was my father’s favorite, and I was constantly scolded for being disrespectful to him. But when I nerved myself to go near Bud, the voices would yell loudly in my ear, and I’d shudder and jump back. I always shuddered when I had to dance with him at family parties.

From the moment I was born, these voices also spoke to me in dreams. Even from the moment before I was born. There in the dark, the voices told me someone who was supposed to be outside to greet me was not. That was my absent father. But the voices said I was not to worry. They’d take care of me. It would be all right in the end.

One of those voices sounded like my own, now that I am old. I remember once when I was twelve, standing on a windy corner after school, waiting for a bus, shivering in an inadequate old coat that no one had noticed needed to be replaced, thinking life would always be like this, that I would always be cold, that no one would comfort me. But a voice sounded in my ear. “Don’t worry. It will be different when you are older. I promise you.” The bus came, and that earlier version of myself was obscurely comforted. Here’s the remarkable thing: years later, as I was drifting off to sleep, I saw, in a waking dream, that same little girl, terrified and cold at that bus stop. And I said those words to her.

It was true, too. I got older. I found a dog, or rather, as so often happens, a dog found me. From the beginning, he saw me, he loved me, not only that, but, maybe more importantly, he insisted I see him and love him back. I had known dogs before this first dog, but never had I listened to what they were trying to tell me. Once I began to listen, there was discovery. Of the world I lived in, of the people around me in it, but most of all, of myself.

There was this similarity between dogs and dreams. I had been told, by the world I was born to, that both were useless in the every day battle that was life. Extraneous. Maybe entertaining, but ultimately meaningless. Unreasonable. Irrational.

Dreams and animals, Emerson says, are what tell us about ourselves. To know who I am, and to act on that knowledge, is to me the very definition of Reason. All my life I’ve been told that those things I hold dearest, that teach me the most, that have the most meaning for me, are ultimately disposable, meaningless. In an increasingly transactional world, those things I feel and those creatures I love, are framed that way.

It’s the opposite, of course.

Dreams and dogs. It’s through them I reclaim my own world from the poverty and sterility of a world constricted by transaction and useless utilitarianism. I’m looking for a larger view of Reason. As dogs and dreams enrich my landscape of thought, opening it up to wider and wider vistas, I write about them, as best I can.

 

Filed Under: EAP: The Magazine, Summer 2026: The Clamor of Dreams. Tagged With: dogs, dreams, my life with dogs, Tod Davies, writing life

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In This Issue.

  • Ukrainian Fruit Stands Have Disappeared.
  • A Lacanian Poem.
  • Why I Write about Dreams and Dogs (from “My Life with Dogs”).
  • Redwood Birdsong.
  • Laughing Sal.
  • Three Hearts Pumping.
  • Pol Pot’s Purgatory.
  • The Red You See.
  • The Strange Tale of Drs. Tumblety & Blackburn: Or What’s in a Name?
  • Monkey’s Fingers.
  • The Self-Serving Giraffe.
  • Important and Mundane.
  • Tinnitus.
  • Escaping the Dream.
  • Hourly.
  • Inklings.
  • Mind Swoosh.
  • The Music of Dreams.

In The News.

That cult classic pirate/sci fi mash up GREENBEARD, by Richard James Bentley, is now a rollicking audiobook, available from Audible.com. Narrated and acted by Colby Elliott of Last Word Audio, you’ll be overwhelmed by the riches and hilarity within.

“Captain Sylvestre de Greybagges is your typical seventeenth-century Cambridge-educated lawyer turned Caribbean pirate, as comfortable debating the virtues of William Shakespeare, Isaac Newton, and compound interest as he is wielding a cutlass, needling archrival Henry Morgan, and parsing rum-soaked gossip for his next target. When a pepper monger’s loose tongue lets out a rumor about a fleet loaded with silver, the Captain sets sail only to find himself in a close encounter of a very different kind.

After escaping with his sanity barely intact and his beard transformed an alarming bright green, Greybagges rallies The Ark de Triomphe crew for a revenge-fueled, thrill-a-minute adventure to the ends of the earth and beyond.

This frolicsome tale of skullduggery, jiggery-pokery, and chicanery upon Ye High Seas is brimming with hilarious puns, masterful historical allusions, and nonstop literary hijinks. Including sly references to Thomas Pynchon, Treasure Island, 1940s cinema, and notable historical figures, this mélange of delights will captivate readers with its rollicking adventure, rich descriptions of food and fashion, and learned asides into scientific, philosophical, and colonial history.”

THE SUPERGIRLS is back, revised and updated!

supergirls-take-1

In The News.

Newport Public Library hosted a three part Zoom series on Visionary Fiction, led by Tod.  

And we love them for it, too.

The first discussion was a lively blast. You can watch it here. The second, Looking Back to Look Forward can be seen here.

The third was the best of all. Visions of the Future, with a cast of characters including poets, audiobook artists, historians, Starhawk, and Mary Shelley. Among others. Link is here.

In the News.

SNOTTY SAVES THE DAY is now an audiobook, narrated by Last Word Audio’s mellifluous Colby Elliott. It launched May 10th, but for a limited time, you can listen for free with an Audible trial membership. So what are you waiting for? Start listening to the wonders of how Arcadia was born from the worst section of the worst neighborhood in the worst empire of all the worlds since the universe began.

In The News.

If you love audio books, don’t miss the new release of REPORT TO MEGALOPOLIS, by Tod Davies, narrated by Colby Elliott of Last Word Audio. The tortured Aspern Grayling tries to rise above the truth of his own story, fighting with reality every step of the way, and Colby’s voice is the perfect match for our modern day Dr. Frankenstein.

In The News.

Mike Madrid dishes on Miss Fury to the BBC . . .

Tod on the Importance of Visionary Fiction

Check out this video of “Beyond Utopia: The Importance of Fantasy,” Tod’s recent talk at the tenth World-Ecology Research Network Conference, June 2019, in San Francisco. She covers everything from Wind in the Willows to the work of Kim Stanley Robinson, with a look at The History of Arcadia along the way. As usual, she’s going on about how visionary fiction has an important place in the formation of a world we want and need to have.

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