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Monkey’s Fingers.

June 28, 2026 by Exangel

by Jim Meirose.

Mote in the eye. Rheumy said take this box to Monkey, and handed over directions on a blue lined sheet. So, Harold went. Handling his car expertly, he sped along, glancing down for the next line of the directions. Garden State Parkway to exit ninety-eight. The blacktop rolled under. Signs came up on the left. Harold opened the box on the seat by him. More than a dozen of them lay in there; lay silent in there, long and slender. Harold closed the box; got to watch, now. At the second traffic circle, take route thirty-five south. Harold had to get the box to Monkey. Then he’d find out why Monkey needed the things in the box. Rheumy wouldn’t tell him. Maybe Rheumy didn’t know. Funny; they’d called Monkey Monkey, since he was five. He never seemed to mind it—seemed proud, actually. Somehow, it just added to his stature. All people knew was he’d started some kind of trading business. Trading in exotic things—but exactly what, well, who knew, but; the car jolted hard across a sudden bump. Thank God Harold’s tires were new. Yes, thank God for that—on these roads. Yes, Monkey. Some said he’s insane, that damned Monkey. The Manasquan River bridge passed under the car. The long iron railing slid past quick and a long drop fell away down the other side. Harold wanted a ham sandwich. Dry. No mustard—but, wait, look—where’s the Red Hat gas station? Harold’s hand went on the box—yes, the directions say take the first left past the Red Hat gas station, then, a quick right onto Broadway. Through the turns, sunlight glinted off the car hood. Steady now, steady. A rise came up. Fields of yellow flowers flowed by both sides. Harold really had no dreams. Only wishes, and odd thoughts. His hand stayed on the box. Why does Monkey need these things? Go slow, here. Ocean avenue. Nobody needs these kinds of things. Close now, close. Watch, be careful; careful of the people suddenly clogging the sidewalks. This is it now, almost it; yes, Jenkinson’s parking will be on the left—slower. Multicolored crowds sparkled by him all around, having no idea of what’s in this box. Not even knowing it’s on his seat at all—but, watch. Pay attention, look alive. Find the sign for the lot—there it is.

Thank God.

After parking, Harold crossed over to Jenkinson’s, clutching the seemingly fragile box to his side. He walked up the ramp beside Jenkinson’s to the boardwalk, then down the ramp on the other side onto the sand, and out toward the unmanned lifeguard’s station halfway to the ocean. The sea breeze blew cold here. Rheumy had told him to meet Monkey here. Harold stood on a board facing the boardwalk, holding the box closed under his arm. It had no latch and nothing was tied around. The top lay loose—so, he held it fast. A dim daytime moon hung high in the blue sky. Unusual. The crowd grew steadily, up on the boardwalk. Where is Monkey? People began coming onto the beach from the boardwalk. It seemed suddenly that streams of people flowed down past Harold. Early in the season for so many, but—who knows why? He held the box fast. Where was Monkey? Where was he.

Monkey emerged out of the crowd. His thin face. His eye.

Got the box? he asked.

Nodding yes, Harold handed it over. It felt funny to do so. Somehow better and freer. Taking the box, Monkey opened the lid.

Now I will know, thought Harold.

Monkey put his hand in the box, got one of the things out, and dropped it in the sand.

Harold looked around. No one noticed. People flowed around, but no one noticed. Monkey swept his foot across, and buried the thing over.

See, right in the midst of them, I can do this, said Monkey, before dropping and burying another, then a third, and a fourth.

Harold tried to speak, this was his chance, but—his throat was now much too dry.

Much too dry.

The movie is old, said Monkey, low—the actors are all dead. They’re not supposed to be there, so they’re not there, even if they are, said Monkey.

Harold stood frozen.

See? I can drop them in the sand, said Monkey—but no one will see them.

He dropped and buried another one, and another, then threw back his head. Laughing, he shouted, Oh, they are stupid, they are all so stupid—and he went on laughing and yelling from there, as he dropped and buried the things one by one, until they were all gone. Then he threw the box down, and smashed it flat—while the people flowing by talking, and laughing, and shouting all the while, never noticing; or, if they did, they just did not care.

Suddenly, Harold had to pee. This snatched his attention from Monkey, who continued grinning and laughing and addressing the sky—so, he turned and walked off back to the boardwalk, where he bought a coffee at a tiny shop, to become allowed to use the men’s room. He knew Monkey was probably still laughing back on the sand, but, that now being much too far away to hear, he would never really be sure.

Filed Under: EAP: The Magazine, Summer 2026: The Clamor of Dreams. Tagged With: dreams, Jim Meirose, surrealism

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In This Issue.

  • Ukrainian Fruit Stands Have Disappeared.
  • A Lacanian Poem.
  • Why I Write about Dreams and Dogs (from “My Life with Dogs”).
  • Redwood Birdsong.
  • Laughing Sal.
  • Three Hearts Pumping.
  • Pol Pot’s Purgatory.
  • The Red You See.
  • The Strange Tale of Drs. Tumblety & Blackburn: Or What’s in a Name?
  • Monkey’s Fingers.
  • The Self-Serving Giraffe.
  • Important and Mundane.
  • Tinnitus.
  • Escaping the Dream.
  • Hourly.
  • Inklings.
  • Mind Swoosh.
  • The Music of Dreams.

In The News.

That cult classic pirate/sci fi mash up GREENBEARD, by Richard James Bentley, is now a rollicking audiobook, available from Audible.com. Narrated and acted by Colby Elliott of Last Word Audio, you’ll be overwhelmed by the riches and hilarity within.

“Captain Sylvestre de Greybagges is your typical seventeenth-century Cambridge-educated lawyer turned Caribbean pirate, as comfortable debating the virtues of William Shakespeare, Isaac Newton, and compound interest as he is wielding a cutlass, needling archrival Henry Morgan, and parsing rum-soaked gossip for his next target. When a pepper monger’s loose tongue lets out a rumor about a fleet loaded with silver, the Captain sets sail only to find himself in a close encounter of a very different kind.

After escaping with his sanity barely intact and his beard transformed an alarming bright green, Greybagges rallies The Ark de Triomphe crew for a revenge-fueled, thrill-a-minute adventure to the ends of the earth and beyond.

This frolicsome tale of skullduggery, jiggery-pokery, and chicanery upon Ye High Seas is brimming with hilarious puns, masterful historical allusions, and nonstop literary hijinks. Including sly references to Thomas Pynchon, Treasure Island, 1940s cinema, and notable historical figures, this mélange of delights will captivate readers with its rollicking adventure, rich descriptions of food and fashion, and learned asides into scientific, philosophical, and colonial history.”

THE SUPERGIRLS is back, revised and updated!

supergirls-take-1

In The News.

Newport Public Library hosted a three part Zoom series on Visionary Fiction, led by Tod.  

And we love them for it, too.

The first discussion was a lively blast. You can watch it here. The second, Looking Back to Look Forward can be seen here.

The third was the best of all. Visions of the Future, with a cast of characters including poets, audiobook artists, historians, Starhawk, and Mary Shelley. Among others. Link is here.

In the News.

SNOTTY SAVES THE DAY is now an audiobook, narrated by Last Word Audio’s mellifluous Colby Elliott. It launched May 10th, but for a limited time, you can listen for free with an Audible trial membership. So what are you waiting for? Start listening to the wonders of how Arcadia was born from the worst section of the worst neighborhood in the worst empire of all the worlds since the universe began.

In The News.

If you love audio books, don’t miss the new release of REPORT TO MEGALOPOLIS, by Tod Davies, narrated by Colby Elliott of Last Word Audio. The tortured Aspern Grayling tries to rise above the truth of his own story, fighting with reality every step of the way, and Colby’s voice is the perfect match for our modern day Dr. Frankenstein.

In The News.

Mike Madrid dishes on Miss Fury to the BBC . . .

Tod on the Importance of Visionary Fiction

Check out this video of “Beyond Utopia: The Importance of Fantasy,” Tod’s recent talk at the tenth World-Ecology Research Network Conference, June 2019, in San Francisco. She covers everything from Wind in the Willows to the work of Kim Stanley Robinson, with a look at The History of Arcadia along the way. As usual, she’s going on about how visionary fiction has an important place in the formation of a world we want and need to have.

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